Honoré Daumier, 186 [- The Laundress - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nkowa mgbakwunye site na museum's website (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
This painting depicts a subject visible from Daumier’s studio on the quai d'Anjou in Paris: laundresses returning from laundry boats moored on the Seine. Despite the weight of her bulky load, the woman tenderly extends her hand to help a child up the steps of the embankment. With her sturdy form silhouetted against a bright background, the humble worker acquires a certain monumentality. This picture is the largest and possibly the last of three painted versions of the composition; Daumier’s pigments have deteriorated, obscuring the last digit of the date inscribed at the lower left, but in 1893 it was recorded as 1863.
Iberibe ozi ndabere nka
Aha nka nka: | "The akwa akwa" |
Nhazi: | sere |
Agba na: | mmanụ n'elu osisi |
Nha izizi: | 19 1/4 x 13 inch (48,9 x 33 cm) |
Egosiputara na: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
License: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Bequest of Lillie P. Bliss, 1931 |
kreditline ọrụ nka: | Bequest of Lillie P. Bliss, 1931 |
Tebụl ozi omenkà
Aha onye nka: | Sọpụrụ Daumier |
okike nke onye nka: | nwoke |
Nationality: | French |
Ọrụ: | onye na-ese ihe |
Mba onye si: | France |
Ụdị nka: | Ihe ngosi |
Ndụ: | 71 afọ |
Afọ ọmụmụ: | 1808 |
Amụrụ na (ebe): | Marseilles |
Afọ nwụrụ: | 1879 |
Nwụrụ na (ebe): | Valmondois dị nso na Paris |
Data ndabere ihe
Ụdị ngwaahịa: | ezi nka mmeputakwa |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite ngwaahịa: | emere na Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | ihe ndozi mgbidi, nka mgbidi |
Nhazi nke ihe nka: | usoro eserese |
Ụdị anya: | 2: 3 (ogologo: obosara) |
Ntụgharị asụsụ oke onyonyo: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Ngwa ngwaahịa dị: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Mbipụta aluminom (aluminium dibond ihe) dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhazi mbipụta nka: | biko buru n'uche na mbiputa nka enweghi okpokolo agba |
Nhọrọ ihe enwere ike
For every art print we offer different sizes & materials. Pick your preferred material and size among the following options:
- Mbipụta kwaaji: A canvas direct print is a printed cotton canvas mounted on a wooden frame. It has a plastic impression of three-dimensionality. A canvas generates a nice and appealing impression. Canvas prints are relatively low in weight. That means, it is easy to hang up the Canvas print without the use of extra wall-mounts. Because of thata canvas print is suited for all kinds of walls.
- Mpempe iko acrylic na-egbuke egbuke: A glossy acrylic glass print, often referred to as a print on plexiglass, makes the artwork into beautiful home decoration.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed sheet of canvas with a slightly roughened surface structure. A print poster is appropriate for putting your fine art print with the help of a custom frame. Please note, that depending on the absolute size of the poster we add a white margin between 2-6cm around the print motif, which facilitates the framing with your custom frame.
- Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with a true effect of depth. For our Aluminium Dibond print, we print your chosen artpiece on the surface of the aluminum material. The colors of the print are bright and luminous in the highest definition, details of the print are very clear, and you can really notice a matte appearance of the print.
Ozi zuru ezu gbasara ngwaahịa nka
Sọpụrụ Daumier created this painting. The painting measures the size: 19 1/4 x 13 inch (48,9 x 33 cm). Mmanụ na osisi was applied by the European painter as the medium of the work of art. This artwork can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka, nke bụ otu n'ime ụlọ ngosi nka nka kacha ibu na nke kacha mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbasa puku afọ ise nke ọdịbendị ụwa, site na prehistory ruo ugbu a na site n'akụkụ niile nke ụwa.. Site n'ikike nke: The Metropolitan Museum of Art, New York, Bequest of Lillie P. Bliss, 1931 (nwere ikike - ngalaba ọha). The creditline of the artpiece is: Bequest of Lillie P. Bliss, 1931. What is more, the alignment is portrait and has a side ratio of 2 : 3, which means that the length is 33% shorter than the width. The painter Honoré Daumier was a European artist from France, whose style was mainly Realism. The Realist artist was born in 1808 in Marseilles and died at the age of 71 in 1879 in Valmondois near Paris.
Nkwupụta iwu: We try what we can to describe the art products as precisely as we can and to showcase them visually in our shop. Although, the colors of the print materials and the print result may vary to a certain extent from the presentation on your device's monitor. Depending on your settings of your screen and the condition of the surface, colors can unfortunately not be printed as realisitcally as the digital version depicted here. Bearing in mind that all fine art prints are printed and processed by hand, there may as well be minor variations in the size and exact position of the motif.
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