Jean-Charles Cazin, 1891 - etiti abalị - mbipụta nka mara mma

Nkọwa nka dị ka ewepụtara site na webụsaịtị ihe ngosi nka (© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This painting depicts Abbeville, a city in northern France famous for its canals and architecture. It lies near the seaport of Boulogne-sur-Mer, Cazin's hometown and where he spent the last decades of his life painting the countryside, beaches, and nearby towns. Cazin specialized in landscapes, often influenced by his knowledge of English and Dutch painters. The title, Midnight, and the image itself suggest silence and stillness—Cazin's hallmarks—but only rarely did he attain this almost surrealistic atmosphere. Cazin was educated in Paris at the famous Ecole Gratuite de Dessins (Free School of Drawing), an innovative and unorthodox institution teaching drawing from memory. He studied there with fellow artists Henri Fantin-Latour (1836–1904), Auguste Rodin (1840–1917), and Alphonse Legros (1837–1911). They all shared an interest in Symbolism—the movement that sees symbols in reality and perceives reality through symbols.

The more than 120 year-old work of art was painted by the realist artist Jean-Charles Cazin in 1891. The original measures the dimensions of Framed: 113 x 112,4 x 11,4 cm (44 1/2 x 44 1/4 x 4 1/2 in); Unframed: 88 x 89 cm (34 5/8 x 35 1/16 in). Mmanụ na akwa ákwà was applied by the artist as the technique for the artwork. The artwork has the following inscription: "signed lower right: j. c. cazin. 91". Today, the artpiece belongs to the Ụlọ ihe ngosi nka nke Cleveland mkpokọta nka, nke bụ otu n'ime ụlọ ngosi ihe mgbe ochie na-ewu ewu n'ụwa niile na-ewu, na-echekwa, na-amụ ihe, ma na-ekesa mkpokọta nka ya pụtara ìhè site n'oge niile na akụkụ nke ụwa, na-ewepụta agụmakwụkwọ na nghọta ọhụrụ, ebe ọ na-eje ozi dị ka ebe mmekọrịta mmadụ na ibe ya na ọgụgụ isi maka ya. obodo. Nke nkà nke oge a artwork, nke bụ akụkụ nke ngalaba ọha a na-enye ya site n'ikike nke Velọ ihe ngosi nka nke Cleveland. Additionally, the artwork has the following creditline: The Charles W. Harkness Gift. Furthermore, alignment of the digital reproduction is square ma nwee oke akụkụ nke 1: 1, nke pụtara na ogologo ya na obosara. The painter Jean-Charles Cazin was an artist from France, whose art style can be attributed primarily to Realism. The European artist was born in the year 1841 and died at the age of 60 n'afọ 1901.

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• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes named as a print on plexiglass, will convert your favorite original artwork into brilliant home décor and is a viable alternative option to aluminium and canvas fine art replicas. Our plexiglass with real glass coating protects your chosen fine art print against light and heat for between 40-60 years.
• Mbipụta kwaaji: The UV printed canvas applied on a wood frame. It has the particular impression of three-dimensionality. Your canvas of your favorite artpiece will provide you with the opportunity of transforming your customized fine art print into a large work of art. Hanging your canvas print: A canvas print has the advantage of being low in weight, which implies that it is easy and straightforward to hang your Canvas print without the help of any wall-mounts. Hence, a canvas print is suitable for any kind of wall.
• Aluminom ihe eji eme ihe: An Aluminium Dibond print is a print material with an impressive depth. A direct Direct Print on Aluminum Dibond is the best start to fine art replicas with aluminum. Colors are bright and luminous in the highest definition, the fine details appear very clear.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster print is a printed canvas paper with a slightly roughened surface structure. A poster print is ideally designed for putting your fine art print with the help of a special frame. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the artwork to facilitate the framing with a custom frame.

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Nkwupụta iwu: We do the best we can to depict our art products as accurately as possible and to display them visually. However, the tone of the print materials, as well as the print result can vary marginally from the presentation on the screen. Depending on the settings of your screen and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version shown here. Considering that our are processed and printed manually, there might also be slight discrepancies in the motif's exact position and the size.

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