Jean-Léon Gérôme, 1885 - Ọdụm na nche - ọmarịcha nka

In 1885 Jean-Léon Gérôme mere nke a ọrụ nka "Lion on the Watch". Ụdị eserese a tụrụ nha: Nhazi: 105 x 133 x 13,5 cm (41 5/16 x 52 3/8 x 5 5/16 na); Edebereghị: 72,3 x 100,5 cm (28 7/16 x 39 9/16 na) ma were ihe osise ese Usoro mmanụ na osisi panel. Edere ihe osise izizi ya na ozi ndị a: signed lower left: j. l. gerome. Ọ bụ nke Ụlọ ihe ngosi nka nke Cleveland nchịkọta dijitalụ na Cleveland, Ohio, United States nke America. Site n'ikike nke: Velọ ihe ngosi nka nke Cleveland (ikike ngalaba ọha). Ebe kredit nke ọrụ nka: Gift of Mrs. F. W. Gehring in memory of her husband, F. W. Gehring. Ọzọkwa, itinye n'ọnọdụ bụ odida obodo na nwere akụkụ ruru nke 1.4: 1, meaning that the length is 40% longer than the width. Jean-Léon Gérôme was a painter of French nationality, whose art style can be classified as Realism. The European painter lived for a total of 80 afọ - Amụrụ na 1824 wee nwụọ na 1904.

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Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Aluminom dibond (ọkpụkpụ ọla): These are metal prints on aluminium dibond material with a true depth. The Direct Print on Aluminum Dibond is your ideal introduction to the sophisticated world of prints with aluminum. Colors are bright and luminous, the details of the print are crisp and clear, and you can truly feel the matte appearance of the print. The UV print on Aluminum Dibond is one of the most demanded entry-level products and is an extremely contemporary way to showcase art reproductions, since it puts the viewer’s focus on the artwork.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a UV printed sheet of canvas paper with a fine finish on the surface. A printed poster is designed for putting your art replica with the help of a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the painting to facilitate the framing.
• Mbipụta kwaaji: A printed canvas material mounted on a wood stretcher frame. Canvas prints are relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without the support of extra wall-mounts. Canvas prints are suited for all kinds of walls.
• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often referenced as a print on plexiglass, transforms the original into brilliant décor and makes a viable alternative option to canvas or dibond fine art prints. The work of art will be printed with the help of state-of-the-art UV direct printing technology. With an acrylic glass fine art print contrasts and also color details will be more exposed due to the very fine gradation.

Ederede iwu: We try what we can in order to depict the products with as many details as possible and to exhibit them visually on the respective product detail pages. Still, the pigments of the printing material and the print result may differ slightly from the presentation on your device's monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed as realisitcally as the digital version. Since our fine art prints are processed and printed by hand, there may also be minor deviations in the motif's size and exact position.

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In addition to his fascination with the classical past, Gérôme was one of the leading painters of "orientalist" subjects-exotic and romantic themes inspired by Napoleonic adventures abroad, romantic literature, and European colonialism. From 1855, Gérôme travelled regularly in Turkey, Egypt, and Asia Minor. Long fascinated by African animals, he sketched lions in the Paris zoo as a student and later hunted them on safari in North Africa.