Giuseppe Castiglione, 1723 - Otu narị ịnyịnya - mbipụta nka mara mma

Additional specifications by the museum's website (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

During the eighteenth century, the Manchu Qing dynasty sponsored a major revival of courtly arts, which attained a new monumental scale, technical finish, and descriptive intricacy. A key figure in establishing this new court aesthetic was the Italian Jesuit Giuseppe Castiglione. A master of vividly naturalistic draftsmanship and large-scale compositions, in Europe he worked as a muralist. Castiglione helped to create a new, hybrid style that combined Western realism with traditional Chinese conventions of composition and brushwork.This monumental scroll, a unique example of a Castiglione preparatory drawing, is the model for one of Castiglione's most famous paintings, the One Hundred Horses scroll preserved in the National Palace Museum, Taipei. The drawing, although done with a brush rather than a pen, is executed almost exclusively in the European manner. Landscape is represented using Western-style perspective, figures are often shown in dramatically foreshortened views, and vegetation is depicted with spontaneous arabesques and cross-hatching. The large scale of the painting also suggests a European influence, as if Castiglione had taken a typical Western canvas and extended its length to make an architectural frieze.

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• Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with a true effect of depth. The bright parts of the original artwork shine with a silk gloss but without any glow. This print on Aluminum Dibond is one of the most demanded entry-level products and is a truly stylish way to display artworks, since it draws attention on the replica of the artwork.
• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is often referred to as a plexiglass print, transforms the original artwork into brilliant wall decoration. Your own version of the work of art is being manufactured with modern UV direct print machines. The great benefit of an acrylic glass art print is that contrasts plus granular details will be more visible due to the very fine gradation.
• Mpempe akwụkwọ (ihe kwaaji): The poster print is a printed sheet of canvas with a slightly roughened finish on the surface. It is perfectly designed for putting the fine art print with the help of a customized frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6 cm around the painting to facilitate the framing with your custom frame.
• Mbipụta kanvas: A canvas print, which should not be confused with a canvas painting, is a digital image printed from a UV direct printer. Further, a canvas print creates a cosy and warm atmosphere. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang the Canvas print without the help of any wall-mounts. A canvas print is suitable for all kinds of walls.

Ozi ndabere gbasara ngwaahịa a

a nka ochie mere nka site na Giuseppe Castiglione. The 290 year old version of the painting has the size: Image: 37 in x 25 ft, 10 3/4 in (94 x 789,3 cm) Overall with mounting: H, 38 1/2 in (97,8 cm). Handscroll; ink on paper was applied by the painter as the medium of the work of art. Today, the artwork can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Purchase, Friends of Asian Art Gifts, 1991 (ọha na eze). In addition to that, the artpiece has the following creditline: Purchase, Friends of Asian Art Gifts, 1991. Furthermore, alignment of the digital reproduction is odida obodo ya na oke onyonyo nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Giuseppe Castiglione was a male architect, missionary, engraver, painter, drawer, whose artistic style can be attributed mainly to Realism. The European painter lived for a total of 78 afọ, amuru na afo 1688 in Milan, Milano province, Lombardy, Italy and passed away in the year 1766.

Ozi dị mkpa: We try in order to depict the art products in as much detail as possible and to showcase them visually in our shop. Although, the colors of the print materials, as well as the printing can vary marginally from the image on your device's screen. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed 100% realistically. Bearing in mind that all the fine art prints are processed and printed by hand, there may also be minor variations in the size and exact position of the motif.

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