Johann Josef Schindler, 1836 - Ọgwụgwụ nke ọkụ ọkụ Stuwerschen na May 7, 1833 - mbipụta nka mara mma.

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Ihe nka nka The end of the Stuwerschen fireworks on May 7, 1833 e sere ya onye n’ezie nwe- Johann Josef Schindler. The 180 years old piece of art has the size 68 x 94 cm - akụkụ etiti: 89 x 115 x 8 cm ma arụpụtara ya na ọkara mmanụ na kwaaji. Nowadays, this work of art is included in the art collection of Belvedere. With courtesy of © Belvedere, Vienna, nọmba ngwa ahịa: 2549 (ikike ngalaba ọha). Ihe kredit nke artpiece bụ nke a: nyefee site na Kunsthistorisches Museum, Vienna na 1926. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ bụ odida obodo and has a ratio of 1.4 : 1, which implies that the length is 40% longer than the width. Johann Josef Schindler was a painter, whose art style can be classified as Realism. The Realist artist lived for 59 afọ, born in 1777 in Pölten and deceased in the year 1836.

Ozi nka sitere na Belvedere (© - Belvedere - Belvedere)

Born in St. Poelten Johann Josef Schindler studied from 1790 at the Vienna Academy of Fine Arts in the class of landscape painting with Johann Christian Brand. In its Landschaftsveduten he appeared committed his life this baroque training, with the influence of his teacher is more noticeable in formals, because in a vast, magnificent view of nature. An after-effects of the baroque tradition in the form of a nocturnal effect piece is evident in the present work: Shown is the departure of spectators crowd that had gathered in the Prater, to participate in the "Stuwer'schen fireworks spectacle". This popular amusement had tradition since the end of the 18th century. Johann Georg Stuwer had launched and left to the Jesuits in the Prater for a "fireworks Place" build: Before a public gallery stood up as a kind of stage a soaring wall of interconnected horizontal and vertical slats. From contemporary reports indicate that the pyrotechnician with their different fireworks machines out against the black of the night sky out sayings figural scenes yes "could conjure" Landscape views, even; based on representations battle was even taken sometimes to the current war events position. continued by Stuwers descendants, the Viennese public could enjoy these fireworks shows up in the eighties of the 19th century, with a short interruption in the revolutionary year 1848. Traditionally, the spectacle with a violent "cannonade" was completed, visitors crowd forest Prater followed along the direction indicated by plugged flaming pitch pans paths through towards the city began to move. This picture tells of the tragic event on May 7, 1833 to be cut short as the fireworks had since the nearby Prater huts had risen by arson in flames. While the drama of the event red-colored clouds and confusion comes to the fire in the population expressed the representation forwards obtained by the arrest of the arsonist left anecdotal. Sources: collection of material to a Austrian artist lexicon compiled by Rudolf Schmidt, Library of the Austrian Gallery in Vienna. Literature: Reischl, F .: Wien for Biedermeier, Vienna 1921, p 98 ff [Sabine Grabner in. This .: romanticism, classicism, Biedermeier. In the Austrian Gallery Belvedere, the second verb. Ed. Vienna 1997, p 96-97]

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