Martin Johnson Heade, 1895 - Magnolias na Light Blue Velvet Cloth - ọmarịcha nka.

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The 19th narị afọ masterpiece was painted by the painter Martin Johnson Heade. The 120 artpiece dị afọ tụrụ nha: 38,6 × 61,8 cm (15 1/4 × 24 3/8 na) ma jiri ya rụọ ya Usoro mmanụ na kwaaji. Signed, lower right: "M. J. Heade" is the painting's inscription. The work of art belongs to the Ụlọ ọrụ Art nke Chicago digital collection, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. With courtesy of: Art Institute Chicago (ikikere: ngalaba ọha). Ihe kredit nke artpiece bụ nke a: Restricted gift of Gloria and Richard Manney; Harold L. Stuart Endowment. N'elu nke ahụ, nhazi bụ odida obodo ya na oke nke 16: 9, meaning that the length is 78% longer than the width. Martin Johnson Heade was a painter, traveller of American nationality, whose artistic style can mainly be assigned to Realism. The Realist painter was born in 1819 in Lumberville, Bucks county, Pennsylvania, United States and deceased at the age of 85 n'afọ 1904.

General specifications as provided by Art Institute Chicago (© Nwebiisinka - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

This sensuous and decorative image dates from the later part of Martin Johnson Heade’s long, varied, and peripatetic career. Traveling through much of the United States, to England and continental Europe, and (three different times) to Brazil, he produced work ranging from pristine views of East Coast salt marshes and lush tropical landscapes to pictures of exotic hummingbirds and orchids. At the age of sixty-four, Heade settled in Saint Augustine, Florida. There he began painting detailed arrangements of native flowers, including the Cherokee rose, orange blossom, and magnolia. Stretched out like an odalisque on blue velvet cloth, the curvaceous magnolia was meticulously rendered in pale, subtle hues and illuminated by a light so sharp that the image evokes the hyperintensity of a dream. The warm, steamy atmosphere is almost palpable, as is the blossom’s heady, pungent scent. The Art Institute’s Magnolias is one of a number of compositions by the artist featuring this dramatic yet delicate white flower.

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• Metal (aluminium debond mbipụta): Aluminium Dibond prints are prints on metal with a true depth. For the Aluminium Dibond print, we print your chosen work of art on the aluminium surface. The bright and white parts of the artwork shimmer with a silk gloss, however without any glow.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster is a printed sheet of canvas paper with a slightly roughened finish on the surface. A poster print is designed for placing the art replica using a customized frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print motif, which facilitates the framing.
• Ihe odide acrylic glass: The print on acrylic glass, which is sometimes referred to as a UV print on plexiglass, will transform an original artwork into magnificient décor. Besides, the acrylic print makes a viable alternative option to dibond or canvas fine art prints. The acrylic glass protects your custom art replica against light and heat for many decades.
• Kwaaji: A printed canvas material applied on a wooden frame. A canvas print makes a charming and warm appearance. Your printed canvas of this artwork will let you turn your very own fine art print into a large artpiece like you know from art galleries. Canvas Prints have the advantage of being relatively low in weight, meaning that it is quite simple to hang your Canvas print without any wall-mounts. Hence, canvas prints are suitable for all types of walls.

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Nkwupụta iwu: We do whatever we can in order to depict our art products as precisely as possible and to exhibit them visually. Although, the colors of the printing material and the print result can diverge slightly from the image on the device's screen. Depending on the screen settings and the quality of the surface, not all color pigments will be printed as realisitcally as the digital version. Considering that all fine art prints are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.

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