Olga Wisinger-Florian, 1900 - poppy na-eto eto - mbipụta nka mara mma

Artwork specifications from the museum's website (© - by Belvedere - Belvedere)

The circle around Emil Jakob Schindler (Marie Egner, Carl Moll, Olga Wisinger-Florian, Eugen Jettel, Rudolf Ribarz, Robert Russ and others) preferred inconspicuous motifs in a close-up manner for their pictures (which were therefore maliciously referred to as "pieces of cabbage and turnip"). One of the most beautiful examples of this is this picture by Olga Wisinger-Florian. The painter seems to lift herself up in the middle of the poppy field, the horizon is very high, so that the wide plain appears almost infinite. This is a completely new perspective - which pushes the actual landscape into the background and suddenly shifts the insignificant detail from the foreground to the centre of the view. This also results in a kind of penetration of still life and landscape - as Marie Egner consciously did later. It is also the consistent continuation of the clipping of the "paysages intimes" of the 1870s. Although Wisinger-Florian was a pupil of Schindler's, she was such a strong personality, both artistically and constitutionally, that a competitive situation arose from the teacher-pupil relationship. Pictures in tone-on-tone mood painting were certainly influenced by Schindler, but she increasingly turned to colorfulness with bright, strong colors [Dietrun Otten, 2002]

Nchịkọta edemede

The 20th century artwork was created by Olga Wisinger-Florian na 1900. Ụdị ọrụ nka tụrụ nha: 70 x 98 cm - akụkụ etiti: 90 × 117 × 7 cm e were kwa ihe-ọcha tee ya mmanụ na kaadiboodu. Signed bottom left: Wisinger-Florian is the artpiece's inscription. Besides, this artpiece can be viewed in in the nke Belvedere mkpokọta nka, nke bụ otu n'ime ụlọ ngosi ihe mgbe ochie ama ama na Europe nwere ebe atọ na-agwakọta ahụmịhe nke ụlọ na nka n'ụzọ pụrụ iche. Nke a nkà nke oge a ngalaba ọha masterpiece is being provided with courtesy of © Belvedere, Vienna. Creditline of the artwork: purchase from Legat Elsa Lochmann, Zurich in 1988. Na mgbakwunye na nke ahụ, nhazi ahụ bụ odida obodo na nwere akụkụ ruru nke 1.4: 1, which means that the length is 40% longer than the width. Olga Wisinger-Florian was a painter, whose style can be attributed primarily to Realism. The artist lived for a total of 82 afọ a mụrụ na 1844 in Vienna and passed away in the year 1926 in Grafenegg, Lower Austria.

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Na nhọrọ mwepu ngwaahịa ị nwere ike họrọ nha na akụrụngwa nke gị. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke: A glossy print on acrylic glass, often described as a an art print on plexiglass, makes the original artwork into stunning décor. The great upside of an acrylic glass art print is that sharp contrasts as well as granular details will be recognizeable due to the subtle tonal gradation of the picture.
• Poster (akwa akwa akwa): The poster print is a UV printed cotton canvas with a nice finish on the surface, which resembles the actual version of the masterpiece. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm around the artwork, which facilitates the framing with your custom frame.
• Kwaaji: The canvas direct print is a printed canvas stretched on a wood stretcher. A canvas print of your favorite artwork will let you turn your custom art print into a large work of art as you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without the help of extra wall-mounts. Hence, a canvas print is suited for any type of wall.
• Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with an impressive effect of depth, which creates a modern impression thanks to a non-reflective surface structure. For your Print On Aluminum Dibond, we print the artwork onto the surface of the white-primed aluminum composite.

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Nkwupụta iwu: We try everythig possible in order to describe our products in as much detail as possible and to exhibit them visually. Nonetheless, the colors of the printed materials and the printing can vary to a certain extent from the presentation on the device's screen. Depending on the settings of your screen and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Because all art reproductions are processed and printed by hand, there might also be minor variations in the exact position and the size of the motif.

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