Thomas Eakins, 1895 - Riter Fitzgerald - mbipụta nka mara mma

59,99 €

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Nchịkọta ngwaahịa

"Riter Fitzgerald" was made by the realist American onye na-ese ihe Thomas Eakins in 1895. The original had the size of 193,7 × 163,2 cm (76 1/4 × 64 1/4 na) e jikwa ya see ya mmanụ na kwaaji. Edere ihe osise izizi ya na ozi ndị a: signed, lower left on base of bookcase: "EAKINS 95". Nowadays, this work of art is in the the digital art collection of Art Institute Chicago, which is one of the world’s great art museums, housing a collection that spans centuries and the globe. This modern art artpiece, which is in the public domain is being supplied with courtesy of Art Institute Chicago. Furthermore, the artpiece has the following creditline: Ndị enyi nke mkpokọta nka nke America; Ụgwọ nke ụlọ ọrụ Goodman Fund. N'elu nke ahụ, nhazi bụ Eserese with a side ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The photographer, painter, sculptor, art educator Thomas Eakins was a North American artist, whose artistic style can be classified as Realism. The Realist painter lived for a total of 72 afọ, amuru na 1844 na Philadelphia, Philadelphia County, Pennsylvania, United States wee nwụọ na 1916 na Philadelphia, Philadelphia County, Pennsylvania, United States.

Nhọrọ akụrụngwa ngwaahịa gị

N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ nha na ihe dị ka mmasị gị si dị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:

  • Mbipụta nke aluminom: An Aluminium Dibond print is a material with an outstanding depth. For our Print On Aluminum Dibond, we print your selected work of art onto the surface of the aluminum material.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a UV printed sheet of canvas with a slightly roughened surface structure, which resembles the actual version of the artwork. Please keep in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm around the work of art to facilitate the framing with your custom frame.
  • Kwaaji: A canvas direct print is a printed canvas stretched on a wooden stretcher. It creates a plastic effect of three-dimensionality. How can I hang a canvas on my wall? Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the support of additional wall-mounts. Canvas prints are suitable for all kinds of walls.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes denoted as a an art print on plexiglass, will convert an original into beautiful home décor. What is more, the acrylic glass fine art print makes a good alternative option to canvas and aluminidum dibond art prints. The work of art is made with state-of-the-art UV direct printing machines. This creates the image effect of deep and vivid colors. The major upside of a plexiglass print is that contrasts plus smaller painting details become more exposed due to the very subtle tonal gradation. The plexiglass protects your custom art print against light and heat for between four and 6 decades.

Ederede iwu: We try to describe the products in as much detail as possible and to illustrate them visually on the respective product detail pages. Nonetheless, the tone of the print products, as well as the imprint may vary somehwat from the image on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as exactly as the digital version. Considering that our fine art prints are printed and processed manually, there may as well be minor discrepancies in the exact position and the size of the motif.

Product ọmụma

Bipụta ụdị ngwaahịa: mmepụta nka
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: mbipụta dijitalụ (Mbipụta UV ozugbo)
Mmalite nke ngwaahịa a: German mmepụta
Ụdị ngwaahịa: mmepụta ihe na-achọ
A na-atụ aro iji ngwaahịa eme ihe: Ụlọ ihe ngosi nka, ụlọ mmepụta ihe nka
Nhazi: usoro eserese
Ụdị anya: 1: 1.2 (ogologo: obosara)
Mmetụta akụkụ: ogologo bụ 20% mkpụmkpụ karịa obosara
Akụrụngwa dị: akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ.
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ Dibony (ihe alumnium) nha: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: agunyeghi

Tebụl a haziri ahazi nke ihe osise

Aha nka: "Riter Fitzgerald"
Nhazi nka nka: sere
Otu sara mbara: nkà nke oge a
Time: 19th narị afọ
Emepụtara na: 1895
Ogologo afọ nka nka: karịa afọ 120
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ ihe osise izizi: 193,7 × 163,2 cm (76 1/4 × 64 1/4 na)
Akara aka na nka nka: signed, lower left on base of bookcase: "EAKINS 95"
Ụlọ ihe ngosi nka / mkpokọta: Ụlọ ọrụ Art Chicago
Ebe ngosi nka: Chicago, Illinois, Njikota Obodo Amerika
URL webụ: Ụlọ ọrụ Art Chicago
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ọrụ Art Chicago
Ebe kredit nke ọrụ nka: Ndị enyi nke mkpokọta nka nke America; Ụgwọ nke ụlọ ọrụ Goodman Fund

Nchịkọta ihe nkiri

Aha onye nka: Thomas Eakins
Aha nka ndị ọzọ: Eakins, Eakins Thomas Cowperthwaite, C.D. Cook, Eakins Thomas, Eakins Thomas Cowperthwait, Cook C.D., Thomas Eakins
okike onye nka: nwoke
Obodo onye nka: American
Ọrụ: sculptor, painter, art educator, photographer
Country: United States
Nkewa onye nka: omenkà nke oge a
styles: Ihe ngosi
Nwụrụ anwụ: 72 afọ
Afọ ọmụmụ: 1844
Amụrụ na (ebe): Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika
Afọ nwụrụ: 1916
Obodo ọnwụ: Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika

Ederede a bụ ikike ọgụgụ isi ma chekwaa ya site na nwebisiinka ©, Artprinta (www.artprinta.com)

Ozi nka nka izizi dị ka ewepụtara site na Art Institute Chicago (© Nwebiisinka - Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Riter Fitzgerald—the art, music, and literary critic for the Philadelphia Evening Item—championed Thomas Eakins’s work and publicly defended the artist when his teaching methods proved controversial. Eakins’s portrait of the journalist is informed by Fitzgerald’s open-minded opinions, his appreciation of diverse art forms, and his commitment to intellectual life. Comfortably seated in his book-lined library, Fitzgerald is portrayed as a genteel man who enjoys a leisurely, yet contemplative lifestyle. With an open book in his lap, he thoughtfully gazes into the distance, peacefully lost in the realm of ideas.

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