Thomas Eakins, 1901 - Oriakụ Gomez Arza - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
(© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Although Signora Gomez d’Arza did not belong to Eakins’s immediate circle, she inspired one of his most eloquent portraits. An actress of Italian ancestry, she was married to Enrico Gomez d’Arza, the impresario of a small theater that Eakins and his wife visited in the Italian quarter of Philadelphia. Susan Eakins recalled in 1927: “They were very poor, depending on their acting and Signora’s teaching young actors, for a living. They could not speak English. Mr. Eakins spoke Italian and learned from her that she had had tragic experiences in her early life. She was about thirty years old when the portrait was painted.
Ozi ndabere na nka site Thomas Eakins
In 1901 the painter Thomas Eakins made the masterpiece titled "Mrs. Gomez Arza". The version of the artwork had the size: 30 x 24 in (76,2 x 61 cm). Mmanụ na kwaaji was applied by the American painter as the medium of the piece of art. Besides, this artpiece can be viewed in in the The Metropolitan Museum of Art's art collection. We are glad to mention that this artwork, which belongs to the ngalaba ọha is being supplied with courtesy of The Metropolitan Museum of Art, New York, George A. Hearn Fund, 1927. The creditline of the artpiece is: George A. Hearn Fund, 1927. Na mgbakwunye na nke ahụ, nhazi ahụ dị na Eserese format na oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Thomas Eakins was a photographer, painter, sculptor, art educator from United States, whose artistic style can be classified as Realism. The American painter was born in 1844 in Philadelphia, Philadelphia county, Pennsylvania, United States and passed away at the age of 72 in the year 1916.
Họrọ ụdị ngwaahịa ngwaahịa gị
Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ihe na nha ọkacha mmasị gị. Nhọrọ ndị a dị maka n'otu n'otu:
- Mbipụta kwaaji: A printed canvas material mounted on a wooden frame. What is more, printed canvas creates a homelike and enjoyable ambience. How can I hang a canvas on the wall? A canvas print has the advantage of being relatively low in weight, meaning that it is quite simple to hang up the Canvas print without the support of any wall-mounts. A canvas print is suitable for all types of walls.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a UV printed canvas paper with a slightly rough structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin between 2-6cm around the artwork to facilitate the framing with your custom frame.
- Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke: A glossy acrylic glass print, often labelled as a plexiglass print, changes your favorite original work of art into beautiful wall decoration. With an acrylic glass art print contrasts and image details will be more recognizeable with the help of the very subtle gradation. The plexiglass protects your custom fine art print against light and heat for decades.
- Mbipụta nke aluminom: Nke a bụ mbipụta ọla arụpụtara na ihe aluminom dibond nwere ezi mmetụta nke omimi.
metadata omenka ahaziri ahazi
aha: | Thomas Eakins |
Aha ndi ozo: | C.D. Cook, Eakins Thomas, Thomas Eakins, Cook C.D., Eakins, Eakins Thomas Cowperthwait, Eakins Thomas Cowperthwaite |
okike nke onye nka: | nwoke |
Nationality: | American |
Ọrụ: | onye na-ese ihe, onye na-ese foto, onye na-ese ihe, onye nkuzi nka |
Country: | United States |
Nkewa onye nka: | omenkà nke oge a |
Ụdị nka: | Ihe ngosi |
Nwụrụ anwụ: | 72 afọ |
Amụrụ n'afọ: | 1844 |
Ebe omuma: | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Nwuru: | 1916 |
Obodo ọnwụ: | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Nkọwa nka ahaziri
Akụkụ nka: | "Mrs. Gomez Arza" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
Nhazi oge: | 20th narị afọ |
Afọ okike: | 1901 |
Afọ nka: | 110 afọ |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | 30 x 24 n'ime (76,2 x 61 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
E Nwere na: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, George A. Hearn Fund, 1927 |
Ebe E Si Nweta: | George A. Hearn Fund, 1927 |
Nkọwapụta ihe
Ụdị edemede: | nka nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | German mere |
Stockdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | nka mgbidi, gallery mgbidi |
Ndozi onyonyo: | usoro eserese |
Njikwa oyiyi: | 1: 1.2 - ogologo: obosara |
Nsonaazụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akwa: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ nha nke mbipụta aluminom (aluminium dibond material) | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | enweghị etiti |
Important note: We try our best to describe the products as closely as possible and to exhibit them visually. Still, the pigments of the print products and the printing may differ to a certain extent from the presentation on the monitor. Depending on your settings of your screen and the nature of the surface, color pigments may not be printed as exactly as the digital version depicted here. Considering that the fine art prints are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.
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