Winslow Homer, 1869 - Ugwu Washington - mbipụta nka mara mma

Ugwu Washington was by Winslow Homer in the year 1869. The version of the painting measures the size: 41,3 × 61,8 cm (16 1/4 × 24 5/16 na). Oil on canvas was applied by the painter as the technique for the masterpiece. The original artwork's inscription is: signed, lower right: "Winslow Homer/-1869-". Ọrụ nka gụnyere na Ụlọ ọrụ Art nke Chicago nchịkọta dijitalụ. Site n'ikike nke Ụlọ ọrụ Art Chicago (ọha na eze). In addition to that, the work of art has the creditline: Gift of Mrs. Richard E. Danielson and Mrs. Chauncey McCormick. What is more, the alignment is in odida obodo format ya na oke nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Winslow Homer was a male painter, whose art style can be classified as Realism. The North American artist lived for a total of 74 years - born in the year 1836 in Boston, Suffolk county, Massachusetts, United States and passed away in the year 1910 in Prouts Neck, Cumberland county, Maine, United States.

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The White Mountains of New Hampshire were celebrated by artists, travel writers, and naturalists for their sublime wilderness. The artists Thomas Cole and John Frederick Kensett reveled in the untamed scenery, but by the time Winslow Homer arrived on assignment from Harper’s Weekly in 1868, the landscape was dominated by tourists and the comforts they demanded: grand hotels, railroads, and well-groomed trails for walking and riding. Homer’s depiction of the eastern landscape as a stage for human activity, particularly tourist activity, rather than a sublime paradise fraught with Christian and nationalistic associations, is characteristic of American art produced after the Civil War.

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Maka mbipụta nka ọ bụla mara mma anyị na-enye ụdị nha na ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Poster (akwa akwa akwa): A poster is a printed sheet of canvas with a slightly rough surface texture, which resembles the original artwork. Please note, that depending on the size of the poster print we add a white margin 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
• Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an impressive effect of depth. This direct UV print on aluminium is the most popular entry-level product and is a sophisticated way to showcase art reproductions, because it puts all of the viewer’s attention on the image.
• Mbipụta kwaaji: The canvas print is a printed cotton canvas mounted on a wood stretcher. The canvas print generates a cosy and comfortable impression. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without additional wall-mounts. Therefore, a canvas print is suitable for any kind of wall.
• Bipụta na enyo acrylic: An acrylic glass print, often referenced as a plexiglass print, changes the original work of art into beautiful wall décor. Your own copy of the artwork is being made with state-of-the-art UV direct print machines. With an acrylic glass fine art print contrasts as well as artwork details will be exposed with the help of the delicate tonal gradation of the picture. The plexiglass protects your chosen art replica against light and heat for up to six decades.

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Disclaimer: We try in order to describe the art products as closely as possible and to exhibit them visually in our shop. Still, the colors of the print materials, as well as the print result may diverge somehwat from the image on your monitor. Depending on your settings of your screen and the quality of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that our art reproductions are printed and processed by hand, there may also be slight deviations in the exact position and the size of the motif.

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