Winslow Homer, 1873 - Ebe ihe ubi - mbipụta nka mara mma

Nkọwa mgbakwunye dị ka webụsaịtị ihe ngosi nka nyere (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Homer’s preoccupation with idyllic agrarian subjects and direct observation of nature recalls those of French Barbizon School artists, such as Jean-François Millet, who worked near the Fontainebleau forest beginning in the 1830s. Homer might have seen their paintings in his native Boston and during his trip to Paris in 1866–67. Characteristic of Homer’s art of this period is his use of direct, overhead light to define the middle ground. Small figures harvesting hay are merely suggested with quick dabs of paint. Calligraphic tree trunks and spreading branches form an irregular gridlike pattern against the sky.

The nkà nke oge a onye na-ese ihe kere ọrụ nka Winslow Homer in 1873. Nke mbụ tụrụ nha: 10 x 24 n'ime (25,4 x 61 cm) na e mere na ọkara mmanụ na kwaaji. Taa, artwork bụ akụkụ nke digital collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, George A. Hearn Fund, 1909 (ọha na eze). Creditline of the artwork: George A. Hearn Fund, 1909. The alignment is landscape and has a side ratio of 3 : 2, meaning that ogologo bụ 50% ogologo karịa obosara. The painter Winslow Homer was an artist, whose artistic style can be classified as Realism. The painter was born in the year 1836 na Boston, Suffolk County, Massachusetts, United States wee nwụọ mgbe ọ dị afọ 74 n'afọ 1910.

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