Charles Sprague Pearce, 1882 - The Arab Jeweler - ọmarịcha nka

Additional information on the original artwork by the museum (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Boston-born Charles Sprague Pearce belonged to the generation of American artists who increasingly settled in France in the post-Civil War years. Like that of his celebrated Parisian teacher, Leon Bonnat, Pearce explored a range of subjects throughout his successful expatriate career. A four-month excursion along the Nile in the early 1870s led to a particular interest in "exotic," or Orientalist themes, such as this ambitious portrayal of a native craftsman.

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In the product dropdown selection you can pick your individual size and material. We allow yout to choose among the following variants:

• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed sheet of canvas paper with a slight surface texture, that reminds the original masterpiece. It is ideally suited for framing the art print in a custom frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of around 2-6 cm round about the print in order to facilitate the framing with your custom frame.
• Kwaaji: The canvas direct print is a printed canvas mounted on a wood stretcher. A canvas produces a particular impression of three-dimensionality. Further, a canvas generates a soft and pleasant atmosphere. A canvas print has the advantage of being low in weight, which means that it is quite simple to hang your Canvas print without the support of additional wall-mounts. Canvas prints are suited for all types of walls.
• Ugogbe acrylic ebipụtara: The acrylic glass print, which is sometimes denoted as a print on plexiglass, will transform your favorite original artwork into décor. The work of art is printed with the help of state-of-the-art UV direct print machines. With an acrylic glass fine art print contrasts as well as artwork details become recognizeable thanks to the very subtle tonal gradation.
• Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond with an impressive depth, which creates a contemporary look throuch a non-reflective surface. The print on aluminium is the most popular entry-level product and is an extremely stylish way to display fine art prints, as it draws attention on the artwork.

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The piece of art was painted by the male American artist Charles Sprague Pearce n’afọ 1882. Ihe nka nwere nha: 46 x 35 3/8 na (116,8 x 89,9 cm). Mmanụ na kwaaji was used by the painter as the technique for the piece of art. Besides, this artpiece can be viewed in in the digital art collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. The nkà nke oge a ngalaba ọha A na-etinye ọrụ nka na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Gift of Edward D. Adams, 1922. Ebe kredit nke ọrụ nka: Gift of Edward D. Adams, 1922. Ọzọkwa, itinye n'usoro mmepụta dijitalụ bụ ihe osise nwere oke akụkụ nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

Nkwupụta iwu: We try what we can to depict the products as accurate as possible and to display them visually on the different product detail pages. At the same time, the colors of the print materials and the print result can diverge marginally from the presentation on your monitor. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed 100% realistically. In view of the fact that all our art reproductions are printed and processed manually, there may as well be minor deviations in the exact position and the size of the motif.

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