Alberto Pasini, 1886 - Ụlọ alakụba - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwapụta ngwaahịa zuru ezu
Ihe nka nke oge a Ụlọ alakụba e sere ya nwoke Italian artist Alberto Pasini. The 130 Ụdị eserese dị otu afọ tụrụ nha: 14 5/8 x 21 3/4 na (37,1 x 55,2 cm). Oil on canvas was used by the Italian artist as the technique for the painting. Moveover, the artpiece belongs to the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta dijitalụ. Site n'ikike nke The Metropolitan Museum of Art, New York, Arịrịọ nke Martha T. Fiske Collord, na ebe nchekwa nke di mbụ ya, Josiah M. Fiske, 1908 (ọha na eze). Ihe kredit nke artpiece bụ nke a: Arịrịọ nke Martha T. Fiske Collord, iji cheta di mbụ ya, Josiah M. Fiske, 1908. Ihe bụ ihe ọzọ, alignment nke dijitalụ mmeputakwa bụ odida obodo na ihe oyiyi ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.
Ngwa ngwaahịa dị
Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print material with an impressive effect of depth - for a modern look and non-reflective surface structure. Colors are luminous and vivid in the highest definition, the details are very clear, and the print has a a matte look you can literally feel.
- Mbipụta iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, often denoted as a UV print on plexiglass, makes your favorite original work of art into beautiful home decoration. What is more, the acrylic glass art print offers a viable alternative option to dibond or canvas fine art replicas. The great advantage of an acrylic glass print is that contrasts plus details become more identifiable due to the delicate tonal gradation.
- Mbipụta kwaaji: The UV printed canvas mounted on a wood stretcher frame. A canvas has a particular impression of three-dimensionality. How can I hang a canvas print on my wall? Canvas prints are relatively low in weight, which implies that it is easy to hang up your Canvas print without the help of any wall-mounts. Hence, canvas prints are suited for any kind of wall.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster is a printed flat canvas paper with a slight finish on the surface. It is suited for placing the fine art print with the help of a custom frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6 cm round about the artwork in order to facilitate the framing with a custom frame.
Ederede iwu dị mkpa: We try our best in order to depict our products as precisely as possible and to demonstrate them visually on the various product detail pages. Although, the pigments of the print products, as well as the print result might differ marginally from the image on the device's screen. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed as realistically as the digital version depicted here. Because all the are processed and printed by hand, there might as well be slight variations in the motif's exact position and the size.
Nkọwapụta ngwaahịa
Nkewa ngwaahịa: | ọrụ mgbidi |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
Ojiji ngwaahịa: | mkpokọta nka (mmeputakwa), nka mgbidi |
Nhazi nka nka: | nhazi odida obodo |
Njikwa oyiyi: | ogologo ruo obosara 3: 2 |
Ntụgharị asụsụ oke onyonyo: | ogologo bụ 50% ogologo karịa obosara |
Ngwa ngwaahịa dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Ụdị mbipụta aluminom: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi mmeputa nka nka: | mbipụta nka na-enweghị isi |
Ozi ọrụ nka
Aha nka nka: | "Ụlọ alakụba" |
Nhazi nka nka: | sere |
Otu izugbe: | nkà nke oge a |
Time: | 19th narị afọ |
Emepụtara na: | 1886 |
Afọ nka: | karịa afọ 130 |
Ihe osise izizi: | mmanụ na kwaaji |
Nha izizi (ọrụ nka): | 14 5/8 x 21 3/4 na (37,1 x 55,2 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
URL nke ihe ngosi nka: | www.metmuseum.org |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Arịrịọ nke Martha T. Fiske Collord, na ebe nchekwa nke di mbụ ya, Josiah M. Fiske, 1908 |
Ebe kredit nke ọrụ nka: | Arịrịọ nke Martha T. Fiske Collord, iji cheta di mbụ ya, Josiah M. Fiske, 1908 |
Ozi izugbe na onye na-ese ihe
aha: | Alberto Pasini |
Aha ndị ọzọ: | pasini a., A. pasini, Alberto Pasini, Pasiny, pasini a., Pasini, Pasini Alberto, Pasisni |
okike nke onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ese ihe |
Mba onye si: | Italy |
Nkewa onye nka: | omenkà nke oge a |
Akwụsị: | 73 afọ |
Afọ ọmụmụ: | 1826 |
Obodo amụrụ: | Busseto, mpaghara Parma, Emilia-Romagna, Italy |
Nwuru: | 1899 |
© Nchekwa ikike nwebisiinka - Artprinta.com
Nkọwa zuru oke sitere na Ụlọ ihe ngosi nka nke Obodo ukwu (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
A mosque serves as the backdrop for this scene of village life, which features many figures outfitted in European-style military uniforms. Here, focusing on the lively mix of cultures, Pasini drew upon his extensive travels in the Middle East, which served as the source material for his paintings. His first opportunity to see this part of the world came in 1855, when he replaced his friend Théodore Chassériau as the official artist on a diplomatic mission to Persia.