Frederic Edwin Church, 1877 - Oke Osimiri Aegean - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
na 1877 Chọọchị Frederic Edwin made the painting titled "The Aegean Sea". The version of the masterpiece measures the size: 54 na × 84 1/4 na (137,2 × 214 cm). Mmanụ na kwaaji was applied by the North American painter as the medium of the painting. Today, the artwork is included in the collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, Bequest of Mrs. William H. Osborn, 1902 (nwere ikike - ngalaba ọha). Na mgbakwunye, ọrụ nka nwere akara kredit: Bequest of Mrs. William H. Osborn, 1902. N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye odida obodo format ma nwee oke onyonyo nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. The painter, art collector, landscape painter, traveller Frederic Edwin Church was an artist, whose artistic style can be classified as Romanticism. The North American painter was born in 1826 na Hartford, Hartford County, Connecticut, United States ma nwụọ mgbe ọ dị afọ 74 na 1900.
Ngwa ngwaahịa a na-ahọpụta
In the dropdown lists right next to the product you can pick your prefered material and size. That is why, we allow you to choose among the following options:
- Metal (aluminium debond mbipụta): An Aluminium Dibond print is a print with a true effect of depth - for a modern look and non-reflective surface. For our Direct Print On Aluminum Dibond, we print your favorite artpiece right onto the aluminium composite surface. The white & bright parts of the artwork shine with a silky gloss, however without glare. The colors are luminous and bright in the highest definition, the fine details appear crisp and clear.
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes named as a UV print on plexiglass, transforms your chosen artwork into amazing wall decoration. Your work of art will be made with the help of state-of-the-art UV print technology. With an acrylic glass fine art print sharp contrasts and granular details become more exposed due to the subtle gradation in the picture. The real glass coating protects your chosen fine art print against sunlight and heat for many more years to come.
- Kwaaji: A canvas print, not to be confused with a real canvas painting, is an image applied on a canvas. A canvas generates a sculptural impression of three dimensionality. Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang up the Canvas print without any wall-mounts. A canvas print is suited for all kinds of walls.
- Akwụkwọ mmado na ihe kwaaji: Our poster is a UV printed canvas paper with a slightly rough surface texture. It is suited for placing your fine art print in a special frame. Please note, that depending on the absolute size of the poster print we add a white margin between 2-6 cm around the artwork in order to facilitate the framing with a custom frame.
Ederede iwu dị mkpa: We do in order to describe the products in as much detail as possible and to illustrate them visually in our shop. Nevertheless, some tone of the printing material, as well as the imprint might differ to a certain extent from the presentation on the monitor. Depending on your settings of your screen and the nature of the surface, not all colors can be printed as exactly as the digital version shown here. Bearing in mind that all the are printed and processed manually, there may as well be slight differences in the size and exact position of the motif.
Ozi ihe ahaziri ahazi
Nkewa edemede: | ọrụ mgbidi |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | emere na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | mgbidi mgbidi, ụlọ mmepụta nka nka |
Ntuziaka onyonyo: | usoro odida obodo |
Oke akụkụ onyonyo: | ( Ogologo: obosara) 3: 2 |
Ntụgharị nkọwa akụkụ: | ogologo bụ 50% ogologo karịa obosara |
Akwa mmeputakwa dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi nke nnomi nka: | agunyeghi |
Nkọwapụta nka
Aha nke eserese ahụ: | "The Aegean Sea" |
Nhazi: | sere |
Otu izugbe: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Emepụtara na: | 1877 |
Ogologo afọ nka nka: | 140 afọ |
Agba na: | mmanụ na kwaaji |
Akụkụ nke ihe osise izizi: | 54 na × 84 1/4 na (137,2 × 214 cm) |
Ụlọ ihe ngosi nka / ebe: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Bequest of Mrs. William H. Osborn, 1902 |
Ebe E Si Nweta: | Bequest of Mrs. William H. Osborn, 1902 |
Banyere omenka
Aha onye nka: | Chọọchị Frederic Edwin |
Aha ndị ọzọ: | church frederick, Church, Frederic Edwin Church, Church Frederic Edwin, f. e. church, f.e. church, Frederick Edwin Church, church frederic e., Church Frederick Edwin |
okike onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ: | landscape painter, painter, art collector, traveller |
Country: | United States |
Otu nka: | omenkà nke oge a |
Ụdị nke onye na-ese ihe: | Ihunanya |
Ndụ: | 74 afọ |
Amụrụ n'afọ: | 1826 |
Ebe omuma: | Hartford, Hartford County, Connecticut, Njikota Obodo Amerika |
Nwuru: | 1900 |
Obodo ọnwụ: | New York City, New York State, Njikota Obodo Amerika |
© echebe nwebiisinka - Artprinta (www.artprinta.com)
Ozi izizi gbasara ọrụ nka nke The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)
Church toured the Near East and Europe in 1867–69. "The Aegean Sea," his final large-scale picture, is a “composite” landscape, based on sketches and photographs the artist had made in disparate locations: on the left are elements of the carved-rock city of Petra, in present-day Jordan; on the right, ancient Roman columns seen in Syria; and in the distance, a mosque suggesting Constantinople and classical ruins evoking the Acropolis in Athens. A double rainbow provides brilliant illumination for the idealized scene. These Old World sites, hallowed by history and the Bible, helped to confirm Church’s beliefs at a time when new scientific discoveries challenged his faith.