Nna-ukwu nke Saint Ursula Legend, 1480 - Saint Paul na Paolo Pagagnotti; Kraịst Na-egosi Nne Ya - ọmarịcha nka

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a 15th narị afọ ihe omimi Saint Paul with Paolo Pagagnotti; Christ Appearing to His Mother was painted by the painter Master of the Saint Ursula Legend. The 540 year-old painting was made with the size - (a) overall 37 3/8 x 11 3/8 in (94,9 x 28,9 cm), painted surface 36 3/4 x 10 7/8 in (93,4 x 27,6 cm); (b) overall 37 1/4 x 11 1/4 in (94,6 x 28,6 cm), painted surface 36 3/4 x 10 3/4 in (93,4 x 27,3 cm). Mmanụ na osisi onye na-ese ihe na Europe ji mee ihe dị ka onye na-emepụta ihe osise. Ọrụ nka bụ nke Ụlọ ihe ngosi nka nke Metropolitan digital art collection. This classic art ngalaba ọha A na-etinye mpempe nka na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931. Additionally, the work of art has the creditline: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Besides this, the alignment is Eserese na nwere akụkụ ruru nke 9: 16, nke pụtara na ogologo bụ 45% mkpụmkpụ karịa obosara.

Original artwork description as provided from The Metropolitan Museum of Art website (© - by The Metropolitan Museum of Art - www.metmuseum.org)

A contemporary of Memling, the Master of the Legend of Saint Ursula seems to have headed an active workshop in Bruges. These paintings originally flanked a Virgin and Child in a folding triptych commissioned by the Florentine merchant Paolo Pagagnotti. In the left panel, the donor is portrayed with his patron saint, Paul, whose beheading is shown through an open arch in a city square. In the right panel, Mary and Mary Magdalen are seen in the distance, approaching the still-sealed tomb of Christ, while the foreground scene depicts a moment after the Resurrection, when Christ appears to his mother.

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For every art print we offer a range of different sizes & materials. You can choose your favorite size and material between the preferences:

• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are metal prints with a true depth. The colors of the print are luminous in the highest definition, the fine details of the print are very clear, and you can notice the matte appearance of the print. The print on aluminium is one of the most demanded entry-level products and is a modern way to display art prints, as it puts all of the viewer’s focus on the image.
• Bipụta na enyo acrylic: The print on acrylic glass, which is often referred to as a fine art print on plexiglass, transforms the original work of art into beautiful décor. Your favorite work of art is being printed with modern UV direct print machines. The major benefit of an acrylic glass art print is that sharp contrasts and also color details become identifiable with the help of the delicate gradation in the picture.
• Kwaaji: A UV printed canvas mounted on a wooden stretcher frame. A canvas print has the advantage of being low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the support of additional wall-mounts. A canvas print is suited for any kind of wall.
• Mpempe akwụkwọ (ihe kwaaji): The poster is a printed canvas paper with a slightly rough structure on the surface, which resembles the actual masterpiece. It is ideally designed for putting your art copy using a customized frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm around the painting, which facilitates the framing with a custom frame.

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Ihe dị mkpa: We do all that we can in order to describe our art products in as much detail as we can and to demonstrate them visually. Although, the pigments of the print products and the print result may vary slightly from the presentation on your monitor. Depending on the settings of your screen and the nature of the surface, color pigments may not be printed as exactly as the digital version shown here. Because all fine art prints are processed and printed by hand, there might also be slight discrepancies in the exact position and the size of the motif.

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