Caravaggio, 1610 - Ngọnarị nke Saint Peter - mbipụta nka mara mma

39,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Nkọwa zuru oke sitere na ụlọ ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Caravaggio’s late works depend for their dramatic effect on brightly lit areas standing in contrast to a dark background. The picture, a marvel of narrative concision, was painted in the last months of Caravaggio’s tempestuous life and marks an extreme stage in his revolutionary style. Standing before a fireplace, Peter is accused of being a follower of Jesus. The pointing finger of the soldier and two fingers of the woman allude to the three accusations and to Peter’s three denials. In 1613 the painting belonged to Guido Reni, who received it from the engraver Luca Ciamberlano as compensation for debts.

Nkwupụta

In 1610 caravaggio made this classic art work of art Ngọnarị nke Saint Peter. The more than 410 year old original measures the size: 37 x 49 3/8 in (94 x 125,4 cm). Mmanụ na kwaaji was used by the painter as the technique for the piece of art. The artpiece can be viewed in in the digital art collection of The Metropolitan Museum of Art in New York City, New York, Njikota Obodo Amerika. Anyị nwere obi ụtọ na-ekwu na artpiece, nke bụ nke ngalaba ọha a gụnyere ya na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997. Creditline of the artwork: Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997. The alignment of the digital reproduction is in landscape format ya na oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Caravaggio was a male painter of Italian nationality, whose style was primarily Baroque. The Italian artist was born in 1571 ma nwụọ na afọ nke 39 n'afọ 1610.

Ihe ndị a na-ahọrọ

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

  • Mbipụta nke aluminom: An Aluminium Dibond print is a print material with a true depth effect. For the Aluminium Dibond print, we print the chosen artwork on the surface of the white-primed aluminum composite. The bright parts of the original artpiece shine with a silk gloss, however without glow. The direct UV print on Aluminum Dibond is one of the most demanded entry-level products and is a truly stylish way to showcase art prints, because it draws attention on the whole artwork.
  • Mbipụta kanvas: A printed canvas, not to be confused with a real painting on a canvas, is a digital replica printed on an industrial printing machine. Additionally, a printed canvas creates a attractive and pleasing impression. Canvas prints are relatively low in weight. This means, it is quite simple to hang your Canvas print without the support of additional wall-mounts. Therefore, a canvas print is suited for all kinds of walls.
  • Poster (akwa akwa akwa): Our poster print is a UV printed canvas with a granular surface structure. It is optimally designed for placing your art replica with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2 - 6cm round about the artwork in order to facilitate the framing.
  • Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, which is sometimes referred to as a UV print on plexiglass, makes the original work of art into gorgeous home décor. The artwork will be made with modern UV direct printing machines. With an acrylic glass art print contrasts and granular color details become more visible thanks to the subtle tonal gradation in the picture. Our real glass coating protects your custom fine art print against light and heat for between 40-60 years.

Ozi nka ahaziri

aha: caravaggio
okike onye nka: nwoke
Obodo onye nka: Italian
Ọrụ: onye na-ese ihe
Mba onye si: Italy
Nhazi nke onye nka: nna ukwu ochie
Ụdị nka: Baroque
Akwụsị: 39 afọ
Afọ ọmụmụ: 1571
Afọ ọnwụ: 1610

Iberibe ozi ndabere nka

Aha nke eserese ahụ: "Agọnarị nke Saint Peter"
Nhazi nka: sere
Category: nka ochie
Nhazi oge: 17th narị afọ
Emepụtara na: 1610
Afọ nka: karịa afọ 410
Usoro izizi: mmanụ na kwaaji
Akụkụ izizi nka: 37 x 49 3/8 na (94 x 125,4 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Webụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Licensedị ikike: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997
Ebe kredit nke ọrụ nka: Gift of Herman and Lila Shickman, and Purchase, Lila Acheson Wallace Gift, 1997

Banyere ngwaahịa a

Bipụta ngwaahịa: ezi nka mmeputakwa
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: mbipụta dijitalụ
Mmalite nke ngwaahịa a: German mmepụta
Stockdị ngwaahịa: a na-achọ
Eji ngwaahịa emebere: gallery mmeputakwa nka, mkpokọta nka (mmeputakwa)
Nhazi nka nka: usoro odida obodo
Njikwa oyiyi: 4: 3 ogologo ruo obosara
Nkọwa nke oke akụkụ akụkụ: ogologo bụ 33% ogologo karịa obosara
Nhọrọ akwa: Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mbipụta nke aluminom: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhazi mbipụta nka: agunyeghi

Important information: We do our best to describe the products as precisely as we can and to demonstrate them visually. Nevertheless, the pigments of the printing material and the imprint can differ somehwat from the presentation on the device's screen. Depending on the settings of your screen and the quality of the surface, not all color pigments can be printed as realistically as the digital version depicted here. Because our fine art prints are printed and processed manually, there might as well be slight differences in the exact position and the size of the motif.

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