Cigoli, 1599 - Ịsọpụrụ ndị ọzụzụ atụrụ na Saint Catherine nke Aleksandria - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ngwaahịa nka
Nke a kariri 420 afọ masterpiece aha The Adoration of the Shepherds with Saint Catherine of Alexandria e sere ya Italian onye na-ese ihe Cigoli in 1599. The version of the piece of art measures the size: 121 3/8 x 76 1/4 in (308,3 x 193,7 cm). Oil on canvas was used by the painter as the technique for the work of art. This work of art belongs to the Ụlọ ihe ngosi nka nke Metropolitan digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The public domain masterpiece is being included with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Gwynne Andrews Fund, 1991. The creditline of the artwork is: Gwynne Andrews Fund, 1991. Furthermore, alignment is in Eserese format na nwere akụkụ ruru nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. The painter Cigoli was a European artist, whose style can be attributed primarily to Mannerism. The European artist was born in the year 1559 in Villa Castelvecchi di Cigoli and deceased at the age of 54 in the year 1613.
Nhọrọ ihe ngwaahịa dị
Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ nha na akụrụngwa masịrị gị. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:
- Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes referenced as a UV print on plexiglass, will turn your selected original artwork into décor. Your own version of the artwork will be printed with state-of-the-art UV printing machines.
- Mbipụta kanvas: The printed canvas, not to be mistaken with a canvas painting, is an image printed from an industrial printer. Your printed canvas of this artwork will let you turn your new into a large work of art. Canvas Prints have the great advantage of being low in weight, which means that it is easy and straightforward to hang up your Canvas print without extra wall-mounts. Therefore, a canvas print is suited for all kinds of walls.
- Mbipụta nke aluminom: An Aluminium Dibond print is a print with an outstanding depth. The Direct Print on Aluminum Dibond is the excellent introduction to fine prints on alu. For our Aluminium Dibond print, we print your selected artpiece onto the aluminium white-primed surface. The white and bright parts of the artwork shine with a silky gloss, however without any glow.
- Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a printed sheet of cotton canvas paper with a fine texture on the surface. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm round about the print motif, which facilitates the framing with your custom frame.
Legal disclaimer: We try our utmost in order to depict the products with as many details as possible and to showcase them visually in our shop. Nonetheless, the colors of the print materials, as well as the print result can differ marginally from the presentation on the monitor. Depending on the screen settings and the condition of the surface, not all colors are printed as exactly as the digital version on this website. In view of the fact that all the art prints are processed and printed manually, there may as well be slight deviations in the motif's exact position and the size.
Product ọmụma
Nkewa ngwaahịa: | ọrụ mgbidi |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite ngwaahịa: | arụpụtara na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | ịchọ mma mgbidi, foto mgbidi |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ: | 2: 3 |
Ntụgharị nkọwa akụkụ akụkụ: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Ụdị ihe dị iche iche dị: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Ụdị mbipụta aluminom dibond: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
ụba: | biko mara na edeghị nnomi nka nka |
Iberibe ozi ndabere nka
Aha ọrụ nka: | "The Adoration of the Shepherds with Saint Catherine of Alexandria" |
Nhazi nka: | sere |
Otu izugbe: | nka ochie |
Nhazi oge: | 16th narị afọ |
Afọ okike: | 1599 |
Ogologo afọ nka nka: | 420 afọ |
Usoro izizi: | mmanụ na kwaaji |
Nha ihe osise izizi: | 121 3/8 x 76 1/4 na (308,3 x 193,7 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Gwynne Andrews Fund, 1991 |
Ebe kredit nke ọrụ nka: | Gwynne Andrews Fund, 1991 |
Ozi ndabere izugbe na onye na-ese ihe
Aha onye nka: | Cigoli |
Gender: | nwoke |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | Italy |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Omume |
Afọ ọnwụ: | 54 afọ |
Amụrụ n'afọ: | 1559 |
Ebe amụrụ onye: | Villa Castelvecchi di Cigoli |
Nwụrụ n'afọ: | 1613 |
Ebe ọnwụ: | Rome |
© Nwebiisinka nke, Artprinta.com
What does the website of the The Metropolitan Museum of Art say about the 16th century artwork created by Cigoli? (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
Cigoli, a painter of considerable intellectual accomplishment and a friend of the great scientist and astronomer Galileo Galilei (1564–1642), was the key artist in Florence in the late sixteenth century. This altarpiece was painted at the height of Cigoli’s career and introduced to Florentine painting a new emotional warmth and emphasis on color, based on the work of of Barocci and Titian. Some of the details are taken directly from nature, such as the still life around the Christ Child and the rustic figures at the right. Cigoli’s work emphasizes the study of nature together with the work of the masters of the High Renaissance.