Ignacio de Ries, 1640 - Saint Michael the onyeisi ndị mmụọ ozi - ọmarịcha nka

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• Mbipụta kwaaji: The printed canvas material stretched on a wooden stretcher frame. A canvas makes a special look of three dimensionality. Besides, canvas print produces a lively, pleasing impression. How do I hang a canvas on the wall? Canvas Prints have the advantage of being relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without the use of any wall-mounts. Canvas prints are suited for all kinds of walls in your house.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with a true depth effect. A non-reflective surface structure make a contemporary look. A direct Direct Print on Aluminum Dibond is the perfect start to prints on aluminum. The colors of the print are luminous and bright, the details are crisp, and you can notice the matte appearance of the fine art print. This direct print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display art, since it puts 100% of the viewer’s attention on the whole artwork.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes referenced as a fine art print on plexiglass, will convert your favorite original work of art into amazing décor and is a viable alternative option to canvas and dibond fine art prints. The great benefit of a plexiglass art print is that sharp contrasts and granular image details will be more recognizeable due to the very fine gradation in the picture. Our plexiglass with real glass coating protects your custom fine art print against light and heat for many years to come.
• Mpempe akwụkwọ ederede (akwa akwa akwa): A poster print is a UV printed sheet of flat canvas paper with a slight texture on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the artwork to facilitate the framing with your custom frame.

Legal disclaimer: We try what we can to describe the art products as accurate as possible and to exhibit them visually. Nonetheless, some tone of the print products, as well as the print result can diverge somehwat from the presentation on the device's screen. Depending on the settings of your screen and the quality of the surface, not all color pigments are printed as realistically as the digital version. Because the art prints are printed and processed by hand, there may also be minor differences in the size and exact position of the motif.

Ozi izizi gbasara nka sitere na weebụsaịtị The Metropolitan Museum of Art (© Copyright - site na The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Ries was the son of a Flemish painter who had settled in Seville. In the mid-1630s he worked for Zurbarán, some of whose paintings are displayed in this gallery and to whom this picture was long attributed. Now recognized as one of Ries’s finest works, dating from the 1640s, this painting relates to both Flemish and Italian traditions. The open-mouthed figure of Satan "cast out [of heaven] into the earth" (Rev. 12:9) especially recalls the work of Ribera.

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In 1640 onye na-ese ihe Ignacio de Ries made the painting. The version of the work of art has the following size: 64 3/4 x 43 1/4 na (164,5 x 109,9 cm). Mmanụ na kwaaji was applied by the painter as the technique for the artpiece. Today, the work of art is included in the The Metropolitan Museum of Art's art collection. The nka ochie ngalaba ọha artwork na-ọnọ na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Marquand, Onyinye Henry G. Marquand, 1889. Na mgbakwunye na nke ahụ, artpiece nwere kreditline: Mkpokọta Marquand, Onyinye nke Henry G. Marquand, 1889. Nhazi nke mmepụta dijitalụ dị na Eserese format na nha onyonyo nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara.

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