Marco Pino, 1570 – Kraịst n’obe ya na Ndị-nsọ Mary, Jọn Onye-ozioma – ọmarịcha nka.

Nchịkọta edemede

Christ on the Cross with Saints Mary, John the Evangelist ka nwoke sere ya Italian artist Marco Pino. N'oge a, ihe osise a bụ nke nchịkọta dijitalụ nke Ụlọ ihe ngosi nka nke J. Paul Getty in Los Angeles, California, Njikota Obodo Amerika. We are pleased to state that the public domain artpiece is included with courtesy of The J. Paul Getty Museum.The creditline of the artwork is: . Besides this, the alignment is in Eserese format ma nwee oke nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. Marco Pino was a painter, draftsman, whose art style can be attributed primarily to Mannerism. The Italian painter was born in the year 1515 in Siena, Siena province, Tuscany, Italy and deceased at the age of 82 in 1597 in Naples, Napoli province, Campania, Italy.

Ihe di

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• Mbipụta kwaaji: A printed canvas stretched on a wooden stretcher frame. In addition to that, a canvas print generates a charming and appealing feeling. Canvas prints are relatively low in weight, which means that it is easy to hang the Canvas print without extra wall-mounts. Hence, canvas prints are suited for all types of walls.
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Nkwupụta iwu: We try everythig possible to depict the art products as accurate as possible and to showcase them visually on the different product detail pages. Nonetheless, the colors of the print materials and the print result might differ marginally from the presentation on the screen. Depending on the screen settings and the nature of the surface, not all color pigments are printed 100% realistically. Given that our art prints are printed and processed manually, there might as well be minor variations in the motif's exact position and the size.

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Ozi izugbe sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke J. Paul Getty Museum - www.getty.edu)

Saint Catherine of Siena, a Christian mystic and lay member of the Dominican Order, appears in half-length in the lower right corner, gazing upward at the Crucifixion taking place high in the mountains. She holds a lily and a miniature crucifix identical to the one above. Hands folded in prayer, the wounds of her stigmata are visible on her palms. The viewer's eyes follow Saint Catherine's gaze, turned to the Virgin who looks up at Christ. Saint John the Evangelist, in a bright red and green garment, looks out sorrowfully and gestures towards the observer. Like the visionary Saint Catherine, the viewer is invited to contemplate the universal significance of Christ's suffering.

Behind the figures, an extensive Italian landscape, elaborated with a winding river and a town, stretches into the background. To contrast with the somewhat static quality of the figures, Marco Pino has painted a tempestuous sky, dark blue near the top and gradually lightening into pink and yellow at the horizon, representing the darkness that came over the land for three hours when Jesus died.

Museum: J. Paul Getty Museum