Lawrence Alma-Tadema, 1872 - Ọnwụ nke Ọkpara Fero - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ngwa ihe ị nwere ike họrọ na:
The product dropdown menu gives you the chance to select a material and a size of your choice. The following sizes and materials are the options we offer you for individualization:
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with a true depth effect. A direct Aluminium Dibond Print is your ideal start to the sophisticated world of art reproductions with aluminum. For your Aluminium Dibond option, we print your chosen artpiece right onto the aluminium surface. The white and bright sections of the artpiece shine with a silk gloss but without glow. The colors of the print are bright and luminous in the highest definition, the fine details are very clear.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a UV printed flat canvas with a slightly rough surface finish. A poster print is ideally designed for framing your art replica with the help of a custom frame. Please note, that depending on the size of the canvas poster print we add a white margin of something between 2 - 6cm round about the print motif in order to facilitate the framing with a custom frame.
- Mbipụta kwaaji: A UV printed canvas mounted on a wood frame. In addition to that, a canvas creates a cosy and warm look. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy to hang the Canvas print without the support of extra wall-mounts. A canvas print is suitable for all types of walls.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referenced as a fine art print on plexiglass, will change your favorite original artwork into beautiful wall decoration. The artwork is made with state-of-the-art UV direct print machines. The real glass coating protects your selected art print against sunlight and external influences for several decades.
Nkwupụta iwu: We try what we can to describe our art products as clearly as possible and to display them visually on the product detail pages. However, the pigments of the print materials, as well as the print result may vary slightly from the representation on the device's monitor. Depending on your screen settings and the quality of the surface, not all colors can be printed one hundret percent realistically. Since the fine art prints are printed and processed by hand, there may also be slight deviations in the motif's exact position and the size.
Nkọwa agbakwunyere dị ka enyere site na Rijksmuseum (© - Rijksmuseum - Rijksmuseum)
In this scene from the biblical book of Exodus, Moses and Aaron (upper right) visit the pharaoh, who is mourning his son. The Egyptian ruler’s son had died from one of the plagues sent by God to secure the Israelites’ release from Egypt. The gloom of the painting reflects the father’s intense grief. One has to look long and hard to discern all the figures and details.
Nkọwapụta ngwaahịa nka
Ihe nka nka The Death of the Pharaoh’s Firstborn Son was created by Lawrence Alma-Tadema. This artpiece can be viewed in in the collection of Rijksmuseum. a nkà nke oge a masterpiece, nke bụ nke ọha ngalaba na-gụnyere n'ikike nke Rijksmuseum.Ihe kredit nke ọrụ nka bụ nke a: . Ọzọkwa, nhazi ahụ dị na odida obodo format ma nwee oke onyonyo nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Lawrence Alma-Tadema was a painter from the Netherlands, whose art style can be classified as Romanticism. The Dutch artist was born in the year 1836 in Dronrijp, Friesland, Netherlands and passed away at the age of 76 in 1912 in Wiesbaden, Hessen state, Germany.
Tebụl a haziri ahazi nke ihe osise
Aha nke eserese ahụ: | "The Death of the Pharaoh’s Firstborn Son" |
Nhazi: | sere |
Okwu mkpokọta: | nkà nke oge a |
Century: | 19th narị afọ |
Year: | 1872 |
Afọ nka: | ihe karịrị afọ 140 |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Ebe nrụọrụ weebụ ihe ngosi nka: | Rijksmuseum |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Nkọwa ngwaahịa ahaziri ahazi
Nkewa edemede: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Ihe ngosi: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | mgbidi mgbidi, foto mgbidi |
Nhazi: | nhazi odida obodo |
Ụdị anya: | 3: 2 |
Mmetụta akụkụ onyonyo: | ogologo bụ 50% ogologo karịa obosara |
Ụdị ngwaahịa dị iche iche: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nha ebipụta aluminom: | 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31" |
Nhazi mmeputa nka nka: | adịghị |
Ozi nka ahaziri
Ihe nkiri: | Lawrence Alma-Tadema |
Aha ndị ọzọ: | Alma Tadema, Alma-Tadema Lawrence, Alma-Tadema Sir, Alma Tadema Laurens, Alma-Tadema Laurence Sir, sir alma tadema, Alma-Tadema Sir Lawrence, Laurens Alma Tadema, Lawrence Alma-Tadema Sir, Alma Thadéma, alma tadema l. sir, Sir Lawrence Alma Tadema, Alma-Tadema, Alma-Tadema Lawrence Sir, Alma Tadema Lourens, אלמה-טדמה סר לורנס, Alma-Tadema L., Alma-Tadema Sir Laurence, Tadema, Tadema Lawrence Alma-, sir l. alma tadema, l. alma tadema, Sir Laurence Alma Tadema, Alma Tadema Sir, Lawrence Alma-Tadema |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | mba netherland |
Otu nka: | omenkà nke oge a |
styles: | Ihunanya |
Akwụsị: | 76 afọ |
Afọ ọmụmụ: | 1836 |
Ebe amụrụ onye: | Dronrijp, Friesland, Netherlands |
Nwụrụ n'afọ: | 1912 |
Nwuru na (ebe): | Wiesbaden, Hessen State, Germany |
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