Sir Edwin Henry Landseer, 1830 - Dying Stag - mbipụta nka mara mma

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Ihe nka nka Dying Stag was made by the artist Sir Edwin Henry Landseer in 1830. The beyond 190 years old original was made with the size - 18 1/16 × 21 1/16 na (45,9 × 53,5 cm). Oil on canvas was used by the artist as the medium of the artpiece. Today, this work of art belongs to the digital collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, United States of America. We are happy to mention that this artpiece, which is in the ngalaba ọha a na-enye ya site n'ikike nke The Metropolitan Museum of Art, New York, Onyinye Eugene V. na Clare E. Thaw Charitable Trust, 2018. : Gift of the Eugene V. and Clare E. Thaw Charitable Trust, 2018. Further, the alignment is in landscape format with an aspect ratio of 4: 3, meaning that the length is 33% longer than the width. The painter Sir Edwin Henry Landseer was an artist from the United Kingdom, whose artistic style was primarily Romanticism. The British painter was born in the year 1802 and deceased at the age of 71 na 1873.

Nkọwa ihe osise site na webụsaịtị ihe ngosi nka (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

The stag’s lolling tongue and the dark red, matted fur on its underbelly indicate that the animal is fatally wounded. Its poignant gaze at the viewer amplifies the pathos of the moment. Landseer’s experiences with deer stalking, or hunting on foot, in the Scottish Highlands provided him with an intimate perspective on the life, and death, of the wild animals, and a nearly inexhaustible source of inspiration for his art. From small-scale studies to ambitious paintings, Landseer’s powers of observation and emotional nuance made him the greatest practitioner of animal subjects in nineteenth-century Britain.

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• Mbipụta kwaaji: A canvas direct print is a printed canvas stretched on a wooden stretcher. A canvas creates a nice, pleasing appearance. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the support of any wall-mounts. A canvas print is suited for any kind of wall.
• Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with a true effect of depth, which makes a modern look with a non-reflective surface structure. A direct Aluminium Dibond Print is the ideal start to fine art prints with aluminum. The white and bright parts of the artwork shine with a silk gloss but without the glare.
• Mbipụta akwụkwọ mmado (ihe kwaaji): A poster is a printed sheet of canvas paper with a slightly roughened texture on the surface. It is appropriate for framing the art copy in a custom frame. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing.
• Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke (ya na mkpuchi iko n'ezie): An print on acrylic glass, which is often described as a plexiglass print, makes an original artwork into magnificient wall decoration. Your favorite artwork is made with the help of state-of-the-art UV print technology. This has the image effect of impressive and rich colors. Our real glass coating protects your selected fine art print against light and external influences for between 40-60 years.

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Nkwupụta iwu: We try our best to depict our art products with as many details as possible and to exhibit them visually in our shop. Still, the colors of the printing material and the printing can vary somehwat from the representation on the screen. Depending on the settings of your screen and the quality of the surface, color pigments might not be printed as exactly as the digital version on this website. Since all our art reproductions are processed and printed by hand, there might as well be minor discrepancies in the motif's exact position and the size.

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