Alexandre-Gabriel Decamps - Turkish Patrol - ọmarịcha nka

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Ndị na-ese ihe osise a nwoke onye na-ese ihe Alexandre-Gabriel Decamps. Nke mbụ tụrụ nha 29 1/4 x 36 3/8 na (74,3 x 92,4 cm). Mmanụ na kwaaji was applied by the European artist as the medium of the piece of art. Nowadays, the piece of art can be viewed in in the The Metropolitan Museum of Art's digital collection located in New York City, New York, United States of America. This artwork, which belongs to the public domain is provided with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe mkpokọta, Arịrịọ nke Catharine Lorillard Wolfe, 1887. : Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887. What is more, the alignment of the digital reproduction is odida obodo ma nwee oke onyonyo nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The painter Alexandre-Gabriel Decamps was an artist, whose artistic style was mainly Romanticism. The Romanticist artist was born in the year 1803 in Paris, Ile-de-France, France and died at the age of 57 in the year 1860.

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We offer a range of different materials and sizes for every product. You can choose your preferred size and material between the subsequent alternatives:

• Mbipụta enyo acrylic: An print on acrylic glass, which is sometimes labelled as a UV print on plexiglass, will turn the original into beautiful home decoration. Further, the acrylic glass print forms a great alternative to canvas and aluminidum dibond prints. Your work of art will be custom-made with the help of modern UV printing machines. It makes vivid and stunning colors. Our real glass coating protects your chosen art print against light and external influences for between 40-60 years.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with an impressive depth effect. The Aluminium Dibond Print is your ideal start to the sophisticated world of art reproductions produced with aluminum. For our Direct Aluminium Dibond option, we print the chosen artwork onto the aluminium composite surface. The white & bright components of the artwork shimmer with a silky gloss, however without the glow. The UV print on aluminium is the most popular entry-level product and is a truly sophisticated way to display fine art prints, as it draws focus on the artwork.
• Kwaaji: The printed canvas material applied on a wooden frame. Your canvas print of this work of art will let you turn your art print into a large artpiece like you know from galleries. Hanging a canvas print: A canvas print has the advantage of being low in weight. That means, it is quite simple to hang up your Canvas print without the support of additional wall-mounts. Canvas prints are suitable for all kinds of walls in your home.
• Mpempe akwụkwọ (ihe kwaaji): The poster is a UV printed canvas paper with a slightly roughened surface finish. It is particularly designed for framing your art copy using a special frame. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm around the print motif in order to facilitate the framing with a custom frame.

Nkwupụta iwu: We try our utmost in order to depict our art products as closely as possible and to exhibit them visually on the product detail pages. Still, the pigments of the print materials, as well as the print result may vary to a certain extent from the presentation on your monitor. Depending on the screen settings and the quality of the surface, not all color pigments are printed one hundret percent realistically. Since all the are printed and processed by hand, there might also be minor variations in the size and exact position of the motif.

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Nkọwa ndị agbakwunyere site na ụlọ ngosi nka (© - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

The present picture depicts Turkish military patrols making their rounds at Smyrna—now Izmir—which Decamps visited in 1828. It is a late variant of his first major Orientalist subject, exhibited at the Paris Salon of 1831 (now in the Wallace Collection, London). Decamps belonged to the first generation of French painters to popularize scenes of everyday life set in the Middle East. This painting belonged to the Metropolitan Museum's first president, John Taylor Johnston, until 1876, when it was purchased by Catharine Lorillard Wolfe, the Museum's first woman benefactor.