Pierre-Paul Prud'hon, 1806 - Ikpe ziri ezi na ịbọ ọbọ nke Chukwu ịchụso mpụ - ọmarịcha nka.

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The nkà nke oge a artpiece named "Justice and Divine Vengeance Pursuing Crime" was made by the artist Pierre-Paul Prud'hon n’afọ 1806. Ihe gafere 210 year old original creation was painted with the size: 33 x 41 cm and was manufactured with the medium mmanụ na kwaaji. Ihe osise a bụ nke nchịkọta Ụlọ ihe ngosi nka nke J. Paul Getty, which is part of the J. Paul Getty trust and is one of the world's largest arts organizations worldwide. It seeks to inspire curiosity about, and enjoyment and understanding of, the visual arts by collecting, conserving, exhibiting, and interpreting works of art of outstanding quality and historical importance.. This modern art ngalaba ọha artpiece is provided with courtesy of The J. Paul Getty Museum.The creditline of the artpiece is the following: . Moreover, alignment is odida obodo na akụkụ ruru nke 1.2: 1, which implies that the length is 20% longer than the width. Pierre-Paul Prud'hon was a painter, whose art style can primarily be classified as Romanticism. The French painter was born in the year 1758 in Cluny, Bourgogne-Franche-Comte, France and died at the age of 65 na 1823.

Original artwork information by The J. Paul Getty Museum (© Copyright - by The J. Paul Getty Museum - Ụlọ ihe ngosi nka nke J. Paul Getty)

A dead man lies sprawled across the foreground while blood seeps into the ground from a wound in his neck and his murderer flees with the victim's belongings in his arms. Above, Divine Vengeance, illuminating the way with a torch, and Justice, armed with sword and scales, pursue the criminal. Pierre-Paul Prud'hon made this study for a monumental painting destined to hang behind the judges' bench in the criminal courtroom of the Palace of Justice in Paris.

Prud'hon used quick, sweeping strokes of paint to lend movement and energy to the figures. Strong contrasts of light and dark accentuate the drama of the situation. Light from the moon illuminates the faces of the avenging personifications and highlights the torso of the dead man, while the face of the murderer is cast in darkness. Inspired by the Roman poet Horace's adage that "retribution rarely fails to pursue the evil man," Prud'hon conveyed the message that the course of justice is relentless if sometimes slow.

Tebụl nka nka

Aha nka: "Justice and Divine Vengeance Pursuing Crime"
Nhazi nka: sere
Okwu mkpokọta: nkà nke oge a
Century: 19th narị afọ
Emepụtara na: 1806
Afọ nka: gbara afọ 210
Usoro nka izizi: mmanụ na kwaaji
Akụkụ izizi nka: 33 x 41 cm
Ụlọ ihe ngosi nka: Ụlọ ihe ngosi nka nke J. Paul Getty
Ebe ebe ngosi nka: Los Angeles, California, Njikota Obodo Amerika
ibe weebụ: Ụlọ ihe ngosi nka nke J. Paul Getty
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke J. Paul Getty

Onye na-ese ihe

Aha onye nka: Pierre-Paul Prud'hon
Aha ndi ozo: Pierre Prudon, Pierre Paul Prudhon, Prudhon, P. P. Prud'hon, paul pierre prudhon, Prudum, Prudon Pierre, Prud'Hon Pierre, Prud'hon P.-P., Prudhon Pierre Paul, Prud'hon P. P., Pierre-Paul Prud'hon, Prud'hon, Prud'hon Pierre-Paul, prud'hon pierre paul, P.P. Prudhon, Prud'hon Pierre Paul, pierre prud'hon, Pierre Paul Prud'hon
Gender: nwoke
Obodo onye nka: French
Ọrụ: onye na-ese ihe
Mba onye si: France
nhazi ọkwa: omenkà nke oge a
Ụdị nke onye na-ese ihe: Ihunanya
Ndụ: 65 afọ
Amụrụ n'afọ: 1758
Amụrụ na (ebe): Cluny, Bourgogne-Franche-Comte, France
Nwuru: 1823
Nwụrụ na (ebe): Paris, Ile-de-France, France

Họrọ ihe ị ga-ekwu

In the product dropdown menu you can pick your favorite material and size. Hence, we allow you to choose among the following options:

  • Mbipụta iko acrylic na-egbuke egbuke: An print on acrylic glass, often denoted as a UV print on plexiglass, makes your selected original work of art into stunning décor.
  • Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print material with a true depth effect, which creates a fashionable impression thanks to a surface , which is non-reflective. For the Print On Aluminum Dibond, we print the chosen artwork right on the aluminium white-primed surface. Colors are bright and luminous in the highest definition, fine details of the print are clear and crisp, and you can perceive the matte appearance of the fine art print. This print on Aluminum Dibond is the most popular entry-level product and is a truly modern way to display art reproductions, since it draws attention on the image.
  • Kwaaji: A printed canvas material applied on a wooden stretcher frame. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without the help of any wall-mounts. Hence, a canvas print is suitable for any kind of wall.
  • Mpempe akwụkwọ (ihe kwaaji): Our poster is a UV printed canvas with a fine surface finish. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2 - 6cm round about the painting, which facilitates the framing.

Nkọwa ngwaahịa ahaziri ahazi

Nkewa ngwaahịa: nka nka
Mmeputakwa: dijitalụ mmeputakwa
Usoro mmepụta: Mbipụta UV / dijitalụ
Mmalite ngwaahịa: German mmepụta
Ụdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: foto mgbidi, mma mgbidi
Nhazi nka nka: nhazi odida obodo
Njikwa oyiyi: 1.2:1- ogologo: obosara
Nsonaazụ nke oke ihe onyonyo a: ogologo bụ 20% ogologo karịa obosara
Akụrụngwa ị nwere ike ịhọrọ: Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji.
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 60x50cm - 24x20", 120x100cm - 47x39"
Nha aluminom dibond (ihe aluminom) nha: 60x50cm - 24x20", 120x100cm - 47x39"
Igwe onyonyo: enweghị etiti

Important legal note: We try our best to describe our art products as precisely as possible and to exhibit them visually on the respective product detail pages. Although, some pigments of the print materials, as well as the imprint can differ slightly from the representation on your device's screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed 100% realistically. Since the fine art prints are processed and printed manually, there may also be slight discrepancies in the size and exact position of the motif.

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