Paul Signac, 1886 - Les Andelys, Cote dAval - ọmarịcha nka

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• Mbipụta ọla (aluminium dibbond): This is a metal print made on aluminium dibond with an impressive effect of depth - for a modern look and non-reflective surface structure. For the Aluminium Dibond option, we print the work of art onto the surface of the aluminum material. The colors of the print are bright and luminous in the highest definition, fine details are crisp, and the print has a a matte look that you can literally feel.
• Mbipụta kwaaji: The canvas print, not to be mistaken with a real canvas painting, is a digital copy printed onto cotton canvas. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the support of any wall-mounts. Canvas prints are suited for any type of wall.
• Mbipụta enyo acrylic: An acrylic glass print, which is often labelled as a plexiglass print, will convert your favorite artwork into décor. Our plexiglass with real glass coating protects your chosen art replica against sunlight and heat for several decades.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a UV printed cotton canvas paper with a granular structure on the surface, which resembles the original masterpiece. It is best qualified for framing the art copy with the help of a customized frame. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the painting, which facilitates the framing with your custom frame.

Important legal note: We try the best we can to depict our art products as accurate as possible and to display them visually in our shop. Although, the pigments of the print materials, as well as the imprint might diverge somehwat from the presentation on the device's screen. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed as realistically as the digital version. In view of the fact that all art reproductions are processed and printed manually, there might also be minor deviations in the exact position and the size of the motif.

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This view of the harbor of Les Andelys, a village on the Seine River near Giverny, is part of a series of 10 works that Paul Signac made in the summer and early fall of 1886. It was the first series he painted using the all-over dots and dashes of strong color that were the hallmark of the Neo-Impressionist group centered around his friend Georges Seurat.

Ihe osise Les Andelys, Cote dAval kere onye omenkà nke oge a Paul Signac dị ka ihe nka nkeonwe gị oyiri

In 1886 nwoke onye France na-ese ihe Paul Signac kere ihe a 19th narị afọ ọrụ nka Les Andelys, Cote dAval. Nke mbụ tụrụ nha: 23 5/8 × 36 1/4 na (60 × 92 cm). Mmanụ na kwaaji was applied by the French artist as the medium of the artwork. The artpiece has the following inscription: inscribed lower right: P. Signac. 86. Ọrụ nka bụ nke Ụlọ ọrụ Art nke Chicago nchịkọta. Site n'ikike nke Ụlọ ọrụ Art Chicago (license: public domain). The creditline of the artpiece is: Through prior gift of William Wood Prince. The alignment is in odida obodo format na a akụkụ ruru nke 3: 2, meaning that the length is 50% longer than the width. The painter Paul Signac was a European artist from France, whose style can primarily be assigned to Impressionism. The French artist was born in 1863 na Paris, Ile-de-France, France ma nwụọ mgbe ọ dị afọ 72 n'afọ 1935 na Paris, Ile-de-France, France.

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