Édouard Vuillard, 1895 - Nwanyị yi uwe mwụda - ọmarịcha akwụkwọ nka.

59,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Woman in a Striped Dress is a work of art by Édouard Vuillard. The version of the masterpiece was painted with the size 65,7 x 58,7 cm (25 7/8 x 23 1/8 in). Oil on canvas was used by the artist as the medium of the artpiece. Furthermore, this artwork belongs to the National Gallery of Art's digital art collection in Washington D.C., United States of America. This artpiece, which is in the ngalaba ọha is being supplied with courtesy of National Gallery of Art, Washington.The creditline of the artpiece is the following: . In addition to this, the alignment is Eserese ma nwee oke nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Édouard Vuillard was a painter of French nationality, whose art style can be classified as Impressionism. The French painter was born in the year 1868 ma nwụọ mgbe ọ dị afọ 72 na 1940.

Nkọwapụta izugbe dịka nke National Gallery of Art nyere (© Nwebiisinka - National Gallery of Art - Nnukwu osisi nke Art)

Vuillard belonged to a quasi-mystical group of young artists that arose in about 1890 and called themselves the Nabi, a Hebrew word for prophet. The Nabi rejected impressionism and considered simple transcription of the appearance of the natural world unthinking and unartistic. Inspired by Gauguin's work and symbolist poetry, their paintings evoke rather than specify, suggest rather than describe. Recognizing that the physical components of painting -- colored pigments arranged on a flat surface -- were artificial, they considered as false the traditional convention of regarding paintings as re-creations of the natural world.

Woman in a Striped Dress is one of five decorations Vuillard painted in 1895 for Thadée Natanson, publisher of the avant-garde journal La Revue Blanche, and his wife Misia Godebska, an accomplished pianist. The five, which differ in size and orientation, are intimate, self contained interiors, Vuillard's principal subject. All display rich harmonies in a restricted range of color and densely arranged in intricate patterns. The introspective woman arranging flowers here perhaps represents the red-haired Misia, whom Vuillard admired greatly. Vuillard adopted the symbolist idea of synesthesia, whereby one sense can evoke another, and in Woman in a Striped Dress the sumptuous visual qualities of Vuillard's reds may suggest the lush chords of music that Misia performed.

Nkọwa nka ahaziri

Iberibe aha nka: "Woman in a Striped Dress"
Nhazi nke ihe nka: sere
Okwu mkpokọta: nkà nke oge a
Time: 19th narị afọ
Afọ nka: 1895
Ogologo afọ nka nka: 120 afọ
Ọkara nke ihe osise izizi: mmanụ na kwaaji
Akụkụ izizi nka: 65,7 x 58,7 cm (25 7/8 x 23 1/8 na)
Ụlọ ihe ngosi nka: Nnukwu osisi nke Art
Ebe ebe ngosi nka: Washington DC, Njikota Obodo Amerika
Weebụsaịtị nke ihe ngosi nka: www.nga.gov
Licensedị ikike: ngalaba ọha
Site n'aka: National Gallery of Art, Washington

Ose okwu

Aha onye nka: Douard Vuillard
okike onye nka: nwoke
Nationality: French
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Country: France
Otu nka: omenkà nke oge a
Ụdị nka: Mmetụta
Oge ndu: 72 afọ
Afọ amụrụ: 1868
Afọ nwụrụ: 1940

Nye iwu ihe ngwaahịa ị họọrọ

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kanvas: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. A printed canvas of this artwork will allow you to transform your new art print into a large size work of art as you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy and straightforward to hang up your Canvas print without the help of any wall-mounts. Hence, canvas prints are suitable for all types of walls.
  • Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often described as a print on plexiglass, will change an original work of art into stunning décor. In addition to that, it makes a viable alternative to canvas and dibond fine art prints. The work of art is made with the help of modern UV direct print technology. This creates the image effect of and rich color tones.
  • Metal (aluminium debond mbipụta): These are metal prints on alu dibond material with a true depth - for a modern look and non-reflective surface structure. For your Aluminium Dibond option, we print your artwork right onto the aluminium white-primed surface. The colors of the print are bright and luminous, details of the print appear very clear, and you can truly notice a matte appearance of the print.
  • Bipụta akwụkwọ mmado n'ihe kwaaji: The poster print is a UV printed canvas with a slight structure on the surface. The printed poster is suited for putting the fine art print in a personal frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing with your custom frame.

Nkọwapụta ngwaahịa

Nkewa ngwaahịa: nka nka
Mmeputakwa: dijitalụ mmeputakwa
Produzọ mmepụta: Mbipụta UV ozugbo
Mmalite nke ngwaahịa a: emere na Germany
Ụdị ngwaahịa: na mmepụta ihe
Ihe eji eme atụmatụ: ihe ndozi mgbidi, ihe ndozi ụlọ
Ntuziaka onyonyo: usoro eserese
Oke akụkụ onyonyo: 1: 1.2 - ( Ogologo: obosara)
Ntụgharị asụsụ oke onyonyo: ogologo bụ 20% mkpụmkpụ karịa obosara
Akwa mmeputakwa dị: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71"
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): 50x60cm - 20x24", 100x120cm - 39x47"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 50x60cm - 20x24", 100x120cm - 39x47"
Nhọrọ aluminom dibond (ihe aluminom) nhọrọ: 50x60cm - 20x24", 100x120cm - 39x47"
Nhazi mbipụta nka: biko mara na nka nka enweghi fremu

Ozi dị mkpa: We try everythig possible to depict our products as accurately as possible and to display them visually. Nonetheless, the tone of the printing material and the printing might diverge slightly from the image on the device's monitor. Depending on the settings of your screen and the quality of the surface, color pigments might not be printed as realisitcally as the digital version shown here. Bearing in mind that all our are processed and printed manually, there may as well be minor discrepancies in the motif's exact position and the size.

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