George Inness, 1889 - Ọdọ mmiri Mill - ọmarịcha nka

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• Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often named a UV print on plexiglass, makes an artwork into gorgeous home décor and makes a great alternative option to aluminium or canvas prints. The work of art is made with state-of-the-art UV printing technology. The major advantage of a plexiglass art print is that contrasts as well as smaller artwork details become recognizeable due to the fine gradation of the print.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster is a printed canvas paper with a slightly roughened surface finish. Please note, that depending on the size of the canvas poster print we add a white margin 2-6 cm round about the print to facilitate the framing.
• Mbipụta kanvas: A canvas print, not to be mistaken with a painting on a canvas, is a digital replica printed on an industrial printing machine. How can I hang a canvas on the wall? Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Hence, a canvas print is suited for all types of walls.
• Mbipụta ọla (aluminium dibbond): This is a metal print made on aluminium dibond material with a true depth. A direct Direct Print on Aluminum Dibond is the perfect introduction to art replicas with aluminum. For the Print On Aluminum Dibond, we print the artpiece right onto the surface of the white-primed aluminum. The white & bright components of the artpiece shimmer with a silk gloss but without glow. The colors are luminous and vivid in the highest definition, the fine details of the print are crisp.

Ozi dị mkpa: We try what we can to describe our products with as many details as it is possible and to showcase them visually in our shop. However, the pigments of the printed materials, as well as the imprint may diverge slightly from the representation on the monitor. Depending on your settings of your screen and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that the fine art prints are printed and processed manually, there might as well be slight differences in the exact position and the size of the motif.

Additional artwork information by the museum (© Copyright - by Art Institute Chicago - www.artic.edu)

A distinctive landscape painter of the 19th century, George Inness excelled at capturing the poetics and mood of his environs, finding spiritual resonances in nature, from its grand vistas to its quiet nooks. The Mill Pond depicts a sylvan setting, in which a small figure rows a boat in the pond at middle distance. Brilliant pigments of orange, green, and blue electrify an otherwise tranquil scene. Through color and atmosphere rather than line or detail, Inness communicated an intensity of vision, fueled by an individual encounter with nature.

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The Mill Pond nke nwoke mere American onye na-ese ihe George Inness in 1889. The masterpiece nwere ndị a size - 95,9 × 75,6 cm (37 3/4 × 29 3/4 na) and was painted on the medium oil on canvas. "Signed lower right: "G. Inness 1889"" was the artpiece's original inscription. This artwork can be viewed in in the Ụlọ ọrụ Art nke Chicago nchịkọta nka dijitalụ dị na Chicago, Illinois, Njikota Obodo Amerika. Site n'ikike nke: Art Institute Chicago (nwere ikike: ngalaba ọha). Creditline of the artwork: Edward B. Butler Collection. Besides this, the alignment is Eserese with an image ratio of 3 : 4, which implies that the length is 25% shorter than the width. George Inness was a male painter, whose artistic style was primarily Impressionism. The North American painter was born in the year 1825 ma nwụọ mgbe ọ dị afọ 69 n'afọ 1894.

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