John Henry Twachtman, 1884 - Arques-la-Bataille - mbipụta nka mara mma

Additional description from The Metropolitan Museum of Art website (© - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

During the summer of 1884 Twachtman—then a student at the Académie Julian in Paris—rented a château with his family at Arques-la-Bataille, Normandy, near the port of Dieppe, and focused on painting unpretentious views of the Arques River valley. In this work, he portrayed the edge of the Béthune, a tributary of the Arques, bordered by a fringe of reeds and meadow flowers. In his Paris studio the following winter, he reconsidered the naturalistic sketch and created his monumental canvas "Arques-la-Bataille" (68.52).

About the art replica of the painting "Arques-la-Bataille"

Ndị na-ese ihe osise a onye echiche onye na-ese ihe John Henry Twachtman. Ụdị nke masterpiece nwere nha ndị a: 18 1/4 x 25 7/8 inch (46,4 x 65,7cm). Mmanụ na kwaaji was used by the North American artist as the technique for the piece of art. The work of art belongs to the digital art collection of The Metropolitan Museum of Art. With courtesy of - The Metropolitan Museum of Art, New York, Purchase, The Charles Engelhard Foundation Gift, 1991 (ikike - ngalaba ọha). The creditline of the artpiece is: Purchase, The Charles Engelhard Foundation Gift, 1991. What is more, the alignment of the digital reproduction is odida obodo ya na oke nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. John Henry Twachtman was a painter of American nationality, whose style can be attributed primarily to Impressionism. The North American artist lived for 49 afọ - born in the year 1853 in Cincinnati, Hamilton county, Ohio, United States and passed away in 1902.

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• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an impressive depth. The non-reflective surface structure creates a fashionable look. For the Direct Print On Aluminum Dibond, we print the chosen artwork onto the aluminium composite surface. The white & bright components of the artwork shine with a silky gloss, however without glare. The colors are luminous in the highest definition, details of the print are clear and crisp, and you can perceive a matte appearance of the product.
• Ihe odide acrylic glass: An print on acrylic glass, which is sometimes described as a print on plexiglass, will change your favorite original artwork into beautiful décor and forms a great alternative to canvas or dibond art prints. Your artwork is manufactured thanks to the help of state-of-the-art UV direct print machines. With an acrylic glass art print contrasts and also artwork details will be more identifiable with the help of the fine gradation in the print.
• Mbipụta kanvas: A UV printed canvas material stretched on a wooden frame. A canvas creates a particular effect of three dimensionality. The advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without additional wall-mounts. Canvas prints are suitable for any type of wall.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a UV printed canvas paper with a nice surface structure. It is appropriate for framing the fine art print with a custom frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm around the work of art in order to facilitate the framing with your custom frame.

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Ederede iwu dị mkpa: We try all that we can in order to describe the products as accurate as it is possible and to showcase them visually. Nevertheless, the colors of the printing material and the printing might diverge somehwat from the image on your screen. Depending on your screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version on this website. Considering that all the art prints are processed and printed manually, there may also be slight variations in the motif's exact position and the size.

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