Julian Alden Weir, 1898 - The Grey Bodice - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Iberibe ozi ndabere nka
Aha nke eserese ahụ: | "The Grey Bodice" |
Nhazi nka: | sere |
Otu sara mbara: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Emepụtara n'afọ: | 1898 |
Afọ nka: | gbara afọ 120 |
Agba na: | mmanụ na kwaaji |
Akụkụ nke ọrụ nka mbụ: | 76,8 × 64,1 cm (30 1/4 × 25 1/4 na) |
Ederede ihe osise izizi: | signed upper left: "J. Alden Weir. 1898" |
Ụlọ ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
Ebe ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
website: | www.artic.edu |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Ebe kredit nke ọrụ nka: | Ndị enyi nke mkpokọta nka America |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | Julian Alden Weir |
Aha ndị ọzọ: | alden weir, weir j alden, weir j.a., Weir Julian Alden, weir john alden, Julian Alden Weir, j. alden weir, Weir, Weir J. Alden |
okike onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Obodo onye nka: | United States |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Mmetụta |
Ndụ: | 67 afọ |
Afọ amụrụ: | 1852 |
Obodo: | West Point, Orange County, New York steeti, Njikota Obodo Amerika |
Afọ nwụrụ: | 1919 |
Nwụrụ na (ebe): | New York City, New York State, Njikota Obodo Amerika |
Banyere edemede a
Nkewa edemede: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Mmalite ngwaahịa: | German mere |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ihe ndozi ụlọ, foto mgbidi |
Nhazi nke ihe nka: | usoro eserese |
Oke akụkụ: | 1: 1.2 |
Pụtara nha akụkụ onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akwa ngwaahịa dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe aluminom (aluminium dibond ihe) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | biko buru n'uche na mmeputakwa a enweghi etiti |
Kedu ụdị ngwaahịa ngwaahịa ka amasị gị?
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:
- Mpempe akwụkwọ mmado ebipụtara na akwa akwa: The Artprinta poster is a UV printed flat canvas paper with a slight structure on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2 - 6cm round about the painting, which facilitates the framing with a custom frame.
- Aluminom dibond mbipụta (ọla): This is a metal print manufactured on aluminium dibond material with an impressive depth effect. Its non-reflective surface structure make a fashionable impression. Colors are luminous in the highest definition, details are crisp and clear.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is sometimes described as a print on plexiglass, will transform an original work of art into stunning home decoration and offers a great alternative option to canvas and dibond prints. With an acrylic glass fine art print contrasts and image details will be recognizeable with the help of the very fine tonal gradation of the print. Our real glass coating protects your custom art print against light and external influences for between 40-60 years.
- Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wooden frame. A canvas generates the distinctive effect of three-dimensionality. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without the use of additional wall-mounts. Because of thatcanvas prints are suited for all types of walls.
Background information on the artpiece, which has the title "The Grey Bodice"
The Grey Bodice is a piece of art by Julian Alden Weir. The 120 year-old artpiece was made with the size: 76,8 × 64,1 cm (30 1/4 × 25 1/4 na) na e ji teknuzu nke mmanụ na kwaaji. The original masterpiece has the following text as inscrption: "signed upper left: "J. Alden Weir. 1898"". The artwork is included in the digital collection of Ụlọ ọrụ Art Chicago. This modern art masterpiece, which is part of the ngalaba ọha is being provided with courtesy of Art Institute Chicago. Creditline of the artwork: Friends of American Art Collection. Further, the alignment of the digital reproduction is Eserese ma nwee oke nke 1: 1.2, which means that the length is 20% shorter than the width. Julian Alden Weir was a painter of American nationality, whose artistic style can be classified as Impressionism. The painter was born in 1852 in West Point, Orange county, New York state, United States and passed away at the age of 67 in 1919 in New York City, New York state, United States.
Legal note: We try our best to describe the products with as many details as possible and to demonstrate them visually in our shop. At the same time, the tone of the print products and the print result may differ slightly from the image on your monitor. Depending on the screen settings and the nature of the surface, colors may not be printed one hundret percent realistically. Since all the are processed and printed by hand, there may also be slight discrepancies in the exact position and the size of the motif.
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