Maurice Brazil Prendergast - Ọdụ ụgbọ mmiri Marblehead - mbipụta nka mara mma

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Emere ọrụ nka site na Maurice Brazil Prendergast. The version of the painting measures the size: Overall: 18 x 24 1/8 in (45,7 x 61,3 cm). Mmanụ na kwaaji was used by the artist as the medium of the piece of art. The artwork is part of the collection of Barnes Foundation. With courtesy of: Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania (ọha na eze).Additionally, the artwork has the following creditline: . Moreover, alignment of the digital reproduction is in landscape format with a ratio of 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Maurice Brazil Prendergast was an artist, whose artistic style can be attributed primarily to Impressionism. The North American painter lived for 66 afọ - a mụrụ n'afọ 1858 na Saint John's, Newfoundland na Labrador, Canada wee nwụọ n'afọ 1924.

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Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta enyo acrylic: The acrylic glass print, which is sometimes named as a UV print on plexiglass, will turn your favorite original artwork into wall décor. Our plexiglass protects your chosen art print against sunlight and external influences for between 40-60 years.
• Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on aluminium dibond material with a true depth effect. Colors are bright and vivid, the fine details of the print are crisp and clear, and the print has a a matte appearance you can literally feel.
• Mbipụta kwaaji: A canvas print is a printed cotton canvas stretched on a wood frame. A canvas print has the advantage of being low in weight, which implies that it is easy to hang the Canvas print without the use of any wall-mounts. Hence, canvas prints are suited for all types of walls in your home.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a UV printed cotton canvas with a slightly rough finish on the surface. A print poster is suited for putting your fine art print with the help of a custom-made frame. Please keep in mind, that depending on the size of the poster we add a white margin between 2-6cm around the painting in order to facilitate the framing.

Nkwupụta iwu: We try everythig possible in order to describe the products as clearly as possible and to demonstrate them visually. Still, the pigments of the printed materials, as well as the print result can diverge to a certain extent from the image on your monitor. Depending on the settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version. Since all the are printed and processed manually, there may also be slight differences in the motif's exact position and the size.

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(© Nwebiisinka - site na Barnes Foundation - Ntọala Barnes)

The year of Maurice Prendergast's death, Barnes set down some of his thoughts about the artist's achievement in The Art in Painting. With respect to the last canvas he had acquired during the artist's lifetime, Barnes wrote,"Marblehead Harbor represents the height of his powers in achieving a design by means of his own technique.… As a result the whole canvas is a succession of contrasts of line, color, mass and spatial relations, that give rise to a series of rhythms comparable to those of a Bach fugue. For instance, the horizontal lilac-pink river bank in the middleground serves as a starting point for one of the fugues; it first changes its direction to the slightly oblique, then changes in color by interspersions of green which makes a new unit in the fugue; that in turn is modified by line and color, interspersions up to a house with white walls and red roof…. In every part there are an infinite number of minor variations of color, line, mass, space and general treatment, which correspond to the internal variations of contrapuntal music". Richard J. Wattenmaker, American Paintings and Works on Paper in the Barnes Foundation (Merion, PA: The Barnes Foundation; New Haven, Yale University Press, 2010), 148.