Max Slevogt, 1897 - Luise papenhagen - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ahaziri nke ihe nka
Aha nke eserese ahụ: | "Luise papenhagen" |
nhazi ọkwa: | sere |
Otu sara mbara: | nkà nke oge a |
Time: | 19th narị afọ |
Emepụtara n'afọ: | 1897 |
Ogologo afọ nka nka: | ihe dị ka afọ 120 |
Usoro nka izizi: | kwaaji |
Nha izizi (ọrụ nka): | 152,8 cm x 124,8 cm |
mbinye aka na ihe osise: | bottom right: M. Slevogt 97 |
Ụlọ ihe ngosi nka / ebe: | Städtische Galerie im Lenbachhaus und Kunstbau München |
Ebe ebe ngosi nka: | Munich, Bavaria, Jamanị |
website: | Städtische Galerie im Lenbachhaus und Kunstbau München |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Max Slevogt, Frau Luise Papenhagen, 1897, Canvas, 152,8 cm x 124,8 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, https://sammlungonline.lenbachhaus.de/objekt/frau-luise-papenhagen-30005329.html |
kreditline ọrụ nka: | Städtische Galerie im Lenbachhaus und Kunstbau München |
Tebụl nyocha nke onye na-ese ihe
aha: | Max Slevogt |
A makwaara dịka: | Slevogt Max, Slevogt, Max Slevogt, Professor Max Slevogt, slevogt max, סלפוגט מקס, M. Slevogt, Slefogt Maks, prof. max slevogt, slevogt m. |
okike nke onye nka: | nwoke |
Nationality: | German |
Ọrụ: | onye na-ese ihe, onye na-ese ihe |
Obodo obibi: | Germany |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Mmetụta |
Akwụsị: | 64 afọ |
Afọ ọmụmụ: | 1868 |
Ebe amụrụ onye: | Landshut, Bavaria, Germany |
Nwụrụ n'afọ: | 1932 |
Nwụrụ na (ebe): | Neukastel-Annweiler am Trifels, Pfalz |
Nkọwa ihe ahaziri ahazi
Nkewa ngwaahịa: | ọmarịcha nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Nlụpụta: | emere na Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | ịchọ mma mgbidi, mkpokọta nka (mmeputakwa) |
Ndepụta: | nhazi ihe osise |
Njikwa oyiyi: | 1: 1.2 |
Mmetụta akụkụ onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ dị: | acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ. |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminom dibond ọdịdị nha ebipụta: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | enweghị etiti |
Họrọ ụdị ihe ebipụta nka mara mma ịchọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster print is a UV printed sheet of canvas with a nice structure on the surface. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2-6cm around the painting, which facilitates the framing with your custom frame.
- Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are prints on metal with a true depth effect. The non-reflective surface structure creates a contemporary look. The bright sections of the artpiece shine with a silk gloss, however without any glow. The colors are luminous, fine details of the print are very clear. The direct print on aluminium is one of the most demanded entry-level products and is a truly contemporary way to showcase artworks, because it draws focus on the artwork.
- Kwaaji: The canvas print, which should not be confused with a real canvas painting, is an image printed from an industrial printing machine. A printed canvas of your favorite artwork will provide you with the unique chance of transforming your fine art print into a large artpiece as you would see in a gallery. Canvas prints are relatively low in weight, which implies that it is easy and straightforward to hang up the Canvas print without additional wall-mounts. Canvas prints are suited for all types of walls.
- Ugogbe acrylic ebipụtara: An acrylic glass print, which is sometimes described as a plexiglass print, will change your favorite original into stunning décor and is a viable alternative to canvas or dibond prints. Your work of art will be manufactured with the help of state-of-the-art UV printing machines. The major upside of a plexiglass print is that contrasts and image details become identifiable due to the very fine tonal gradation.
Ozi ngwaahịa ebipụta zuru oke
Nke a kariri 120 ọrụ nka afọ afọ aha ya Luise papenhagen e sere ya Max Slevogt. Nke mbụ nwere nha: 152,8 cm x 124,8 cm ma were ihe osise ese Usoro canvas. The artpiece has the following text as inscrption: bottom right: M. Slevogt 97. Moveover, the artwork belongs to the digital collection of Städtische Galerie im Lenbachhaus und Kunstbau München. We are delighted to mention that this work of art, which belongs to the public domain is supplied with courtesy of Max Slevogt, Frau Luise Papenhagen, 1897, Canvas, 152,8 cm x 124,8 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, https://sammlungonline.lenbachhaus.de/objekt/frau-luise-papenhagen-30005329.html. The creditline of the artwork is: Städtische Galerie im Lenbachhaus und Kunstbau München. What is more, the alignment of the digital reproduction is Eserese na a akụkụ ruru nke 1: 1.2, meaning that the length is 20% shorter than the width. Max Slevogt was a illustrator, painter, whose art style can primarily be attributed to Impressionism. The German artist was born in 1868 in Landshut, Bavaria, Germany and deceased at the age of 64 in 1932 in Neukastel-Annweiler am Trifels, Pfalz.
Ozi dị mkpa: We try all that we can to describe the art products as accurately as it is possible and to demonstrate them visually in our shop. Please keep in mind that the pigments of the print materials, as well as the imprint may differ slightly from the image on your device's screen. Depending on the screen settings and the condition of the surface, not all color pigments are printed as exactly as the digital version shown here. In view of the fact that our art prints are printed and processed manually, there might also be minor discrepancies in the motif's size and exact position.
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