Paul Sérusier, 1920 - Knitter ala pink - ọmarịcha nka

63,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

About the modern art painting named "Knitter bottom pink"

This more than 100 year old piece of art "Knitter bottom pink" was made by the nwoke onye na-ese ihe Paul Sérusier. Ihe gafere 100 year old original was painted with the size: Height: 81,2 cm, Width: 57,2 cm. Oil, Canvas (material) was used by the French artist as the technique for the artwork. The painting has the following text as inscrption: Signature - Signature and date bottom left: "P. Serusier 20". E wezụga nke a, artwork bụ nke Petit Palais - Musée des Beaux-arts de la Ville de Paris digital art collection, which is an art museum in the 8th arrondissement. We are glad to mention that this ngalaba ọha a na-enye masterpiece site n'ikike nke Petit Palais Paris.: . Ndozi n'ime Eserese format ya na oke nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The painter Paul Sérusier was an artist, whose style can mainly be classified as Impressionism. The European artist was born in 1864 and died at the age of 63 n'afọ 1927.

Nkọwa ihe osise sitere na ihe ngosi nka (© - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-arts de la Ville de Paris)

Standing in a clearing, a young Breton, three-quarter view, finished knitting a pink bottom. Her blond hair is covered with a blue cap with red cap tied with a ribbon. Her dress is protected by an apron.

Knitter pink bottom illustrates the recent work of Serusier that moves away from the Breton reality to be inspired by medieval tapestries. The old painter, marked by alcoholism, his wife's illness and poor sales of his works seems to find refuge in a more timeless and more free paint composition rules based on the golden ratio, "rhythm and instrument divinity ", he imposed previously. Still Breton by some aspects of the garment, but seeming to emerge from a distant past, the knitting of the table and most of the girls engaged in needlework Serusier that represents the end of his life evoke the fates of Antiquity weaving the thread of life.

Human Representation, Girl, sewing and needlework, Forest - Wood, Breton

Data nka ahaziri

Aha ọrụ nka: "Knitter bottom pink"
Nhazi: sere
Otu sara mbara: nkà nke oge a
Century: 20th narị afọ
Emepụtara na: 1920
Ogologo afọ nka nka: 100 afọ
Usoro izizi: Mmanụ, Canvas (ihe)
Nha izizi (ọrụ nka): Ogologo: 81,2 cm, obosara: 57,2 cm
Akara mbinye aka: Signature - Signature and date bottom left: "P. Serusier 20"
Ụlọ ihe ngosi nka / ebe: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Ebe ngosi nka: Paris, France
Weebụsaịtị nke ihe ngosi nka: Petit Palais - Musée des Beaux-arts de la Ville de Paris
Licensedị ikike: ngalaba ọha
Site n'aka: Petit Palais Paris

metadata nka nka

aha: Paul Sérusier
Gender: nwoke
Nationality: French
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo obibi: France
nhazi ọkwa: omenkà nke oge a
Ụdị nka: Mmetụta
Nwụrụ na afọ nke: 63 afọ
Afọ ọmụmụ: 1864
Nwuru: 1927

Nhọrọ akụrụngwa ngwaahịa gị

In the dropdown menu next to the product offering you can select the material and size of your choice. We allow yout to choose among the following variants:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referenced as a UV print on plexiglass, will transform the original work of art into lovely wall décor and makes a great alternative option to aluminium or canvas art prints. The artwork is being printed with state-of-the-art UV direct print technology. This creates impressive, vivid print colors. The major benefit of an acrylic glass print is that contrasts and painting details become exposed because of the fine gradation in the picture.
  • Kwaaji: A UV printed canvas material applied on a wood frame. It generates a particular effect of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without the support of extra wall-mounts. Canvas prints are suitable for all types of walls.
  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with a true depth - for a modern impression and a non-reflective surface structure. A direct Aluminium Dibond Print is your ideal introduction to art reproductions manufactured with alu.
  • Bipụta akwụkwọ mmado n'ihe kwaaji: Our poster print is a printed canvas paper with a granular texture on the surface. Please bear in mind, that depending on the absolute size of the poster print we add a white margin 2-6cm around the painting, which facilitates the framing.

Ozi ihe ahaziri ahazi

Bipụta ụdị ngwaahịa: ọmarịcha nka
Usoro mmeputakwa: dijitalụ mmeputakwa
Usoro nhazi: Mbipụta UV ozugbo (mbipụta dijitalụ)
Nlụpụta: German mere
Ụdị ngwaahịa: a na-achọ
Ihe eji eme atụmatụ: ịchọ mma mgbidi, ihe ndozi ụlọ
Ntuziaka onyonyo: nhazi ihe osise
Njikwa oyiyi: 1: 1.4 (ogologo: obosara)
Oke akụkụ pụtara: ogologo bụ 29% mkpụmkpụ karịa obosara
Nhọrọ akụrụngwa: Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 50x70cm - 20x28", 100x140cm - 39x55"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 50x70cm - 20x28", 100x140cm - 39x55"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 50x70cm - 20x28"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 50x70cm - 20x28", 100x140cm - 39x55"
Nhazi nke nka nka: adịghị

Nkwupụta iwu: We try what we can to describe our products as accurate as possible and to demonstrate them visually on the various product detail pages. Nevertheless, the pigments of the printing material and the imprint might vary slightly from the image on the device's monitor. Depending on your settings of your screen and the quality of the surface, colors may not be printed as exactly as the digital version shown here. Because all are processed and printed manually, there may also be minor deviations in the motif's exact position and the size.

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