Jean-Simeon Chardin, 1734 - Ngwa kichin nwere Leeks, Azụ na akwa - mbipụta nka mara mma.

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• Ebipụta akwụkwọ mmado na ihe akwa akwa: The Artprinta poster print is a UV printed flat cotton canvas paper with a slightly roughened finish on the surface. Please note, that depending on the size of the poster we add a white margin of around 2-6cm round about the print, which facilitates the framing.
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Ozi nkowa mgbakwunye by the museum (© - Ụlọ ihe ngosi nka nke Cleveland - www.clevelandart.org)

Chardin was already famous by 1730, when he began to paint small, sparse still lifes of kitchen utensils. He often used the same elements in his compositions, varying slightly the position of the objects and adding or subtracting a utensil—always carefully placing each in relation to the rest to achieve a balanced design. Chardin was the contemporary of François Boucher (1703–1770) and he taught Jean-Honoré Fragonard (1732–1806), but his work is a contrast to theirs, representing the naturalistic tendency that persisted alongside the more fashionable lightness, grace, and playfulness of the Rococo. Chardin discovered a hidden poetry in even the most humble objects, bringing the viewer into an earthly world experienced with directness and simplicity.

Eziokwu ndị na-akpali mmasị gbasara ihe osise ihe karịrị afọ 280

Nke a na narị afọ nke 18 na-ese site na French artist Jean-Simeon Chardin. Ihe osise a tụrụ nha Nhazi: 52,5 x 60,5 x 7,5 cm (20 11/16 x 23 13/16 x 2 15/16 na); Emebereghị: 32,2 x 40,7 cm (12 11/16 x 16 na) and was painted with the medium oil on canvas. The masterpiece has the following inscription: signed lower right: "Chardin". Ọ bụ nke mkpokọta nka Velọ ihe ngosi nka nke Cleveland, nke bụ otu n'ime ụlọ ngosi ihe mgbe ochie na-ewu ewu n'ụwa nile nke na-ewu, na-echekwa, na-amụ ihe, ma na-ekesa nchịkọta nkà ya pụtara ìhè site n'oge niile na akụkụ nke ụwa, na-emepụta akwụkwọ mmụta na nghọta ọhụrụ, mgbe ọ na-eje ozi dị ka ebe nchekwa ọha na nke ọgụgụ isi maka obodo ya. Site n'ikike nke - The Cleveland Museum of Art (ikike ngalaba ọha). The creditline of the artwork is: Leonard C. Hanna, Jr. Fund. On top of that, alignment is landscape and has a ratio of 4 : 3, which means that ogologo bụ 33% ogologo karịa obosara.

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