Jean Auguste Dominique Ingres, 1844 - Edmond Cavé (1794–1852) - mbipụta nka mara mma.

What specifically does the website of the The Metropolitan Museum of Art write about the artwork created by Jean Auguste Dominique Ingres? (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

Cavé held the high-ranking posts of inspector and director of the fine arts administration during the reign of King Louis-Philippe. Ingres painted this portrait soon after Cavé's marriage in 1844 to Marie-Elisabeth Blavot Boulanger. It was intended as a companion to the picture of Cavé's wife that Ingres had painted a decade earlier (43.85.3). After Ingres consulted Cavé about the dimensions of his wife's likeness, he executed the portrait by transferring a drawing of the sitter (Musée Ingres, Montauban) onto the canvas.

In 1844 Jean Auguste Dominique Ingres kere ihe osise a Edmond Cavé (1794–1852). Nke mbụ tụrụ nha: 16 x 12 7/8 na (40,6 x 32,7 cm). Oil on canvas was used by the European artist as the technique for the masterpiece. This piece of art can be viewed in in the collection of The Metropolitan Museum of Art in New York City, New York, United States of America. The nkà nke oge a artwork, nke bụ nke ngalaba ọha is being included with courtesy of The Metropolitan Museum of Art, New York, Bequest of Grace Rainey Rogers, 1943. The creditline of the artpiece is: Bequest of Grace Rainey Rogers, 1943. Moreover, alignment is portrait and has a side ratio of 1: 1.2, nke pụtara na ogologo 20% dị mkpụmkpụ karịa obosara.

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We offer a range of various sizes and materials for every product. Select your favorite size and material among the choices:

• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a UV printed flat canvas paper with a granular surface texture. It is best appropriate for putting the art print with a custom frame. Please note, that depending on the size of the poster we add a white margin of around 2-6cm round about the work of art in order to facilitate the framing with a custom frame.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often referenced as a plexiglass print, transforms an original into brilliant décor. The artwork is custom-made thanks to the help of modern UV direct printing machines. The special effect of this are sharp, vivid colors.
• Kwaaji: A UV printed canvas material applied on a wood frame. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without any wall-mounts. That is why, a canvas print is suitable for all types of walls.
• Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding depth - for a modern impression and non-reflective surface. A direct Aluminium Dibond Print is your excellent start to prints produced with aluminum. For the Print On Aluminum Dibond, we print the chosen artwork right on the surface of the aluminum material. The colors of the print are luminous, details appear very clear. This UV print on Aluminum Dibond is one of the most demanded entry-level products and is a contemporary way to showcase fine art reproductions, because it draws attention on the artwork.

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Ozi dị mkpa: We try the best we can to describe our products as precisely as it is possible and to illustrate them visually on the product detail pages. Nevertheless, the tone of the print materials and the printing may differ slightly from the presentation on the device's screen. Depending on your screen settings and the quality of the surface, not all color pigments will be printed as exactly as the digital version shown here. Because all our fine art prints are printed and processed by hand, there might as well be minor variations in the size and exact position of the motif.

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