Jean Auguste Dominique Ingres, 1848 - Aretino na Studio nke Tintoretto - ọmarịcha nka.

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This small oil painting depicts an interaction between the artist Tintoretto and the literary critic and satirist Pietro Aretino, two cultural figures of sixteenth century Venice. The episode, real or apocryphal, was originally documented by Carlo Ridolfi in his Life of Tintoretto (1642). Ingres portrays the moment when Tintoretto feigns violence towards Aretino, whom he had invited to his studio to sit for a portrait. Aretino, shown in the pose of the martyr St. Francis receiving the stigmata, momentarily fears danger before recognizing the gesture as Tintoretto’s playful revenge for Aretino’s criticism of his work.Painted in 1848 for Marcotte Genlis, this picture is Ingres’s second version of the subject, the original dating to 1815. Ingres frequently copied his own paintings in an effort to improve upon his representations of often unconventional narratives.

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Summary

a nkà nke oge a ọrụ nka Aretino in the Studio of Tintoretto onye France na-ese ihe mere ya Jean Auguste Dominique Ingres in 1848. The original version had the following size of 17 3/8 x 14 1/8 in. Mmanụ na kwaaji was used by the European painter as the medium of the piece of art. Moveover, this work of art can be viewed in in the Ụlọ ihe ngosi nka nke Metropolitan art collection in New York City, New York, United States of America. We are happy to state that the public domain work of art is included with courtesy of Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Robert Lehman, 1975. Ọzọkwa, ihe osise ahụ nwere akara kredit: Nchịkọta Robert Lehman, 1975. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee akụkụ nke 1: 1.2, nke pụtara na ogologo ya dị 20% dị mkpụmkpụ karịa obosara.

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