Jean Béraud, 1889 - Ụlọ akụkọ Hansard - mbipụta nka mara mma

Nkọwa izizi sitere na webụsaịtị ihe ngosi nka (© nwebiisinka - Musée Carnavalet Paris - Ụlọ ihe nkiri Carnavalet Paris)

Study for the painting executed on the occasion of the first centenary of the "Hansard", exhibited at the 1889 Salon (No. 201), now in the Musée d'Orsay (RF 1990-5) .The newsroom of " Hansard "was at 17, rue Priests-Saint-Germain l'Auxerrois.

Nke a kariri 130 ihe nka afọ The newsroom Hansard e sere ya French painter Jean Béraud. The beyond 130 year-old original was painted with the absolute size of Ogologo: 38 cm, obosara: 53 cm. Ọkachamara izizi nwere ihe odide a: Ịbinye aka n'ọsọ - Binyere aka n'ala aka ekpe: "Jean Beraud". Ọ bụ akụkụ nke nchịkọta dijitalụ nke Ụlọ ihe nkiri Carnavalet Paris, which is a museum dedicated to the history of the city Paris. We are happy to state that this public domain piece of art is being included with courtesy of Musée Carnavalet Paris.: . Furthermore, alignment of the digital reproduction is odida obodo ya na oke onyonyo nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Jean Béraud was a painter, whose art style can primarily be classified as Impressionism. The Impressionist painter was born in the year 1849 ma nwụọ mgbe ọ dị afọ 86 n'afọ 1935.

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Maka ngwaahịa ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Mbipụta kwaaji: The UV printed canvas material mounted on a wooden stretcher frame. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without additional wall-mounts. Canvas prints are suited for any type of wall.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster is a UV printed flat canvas with a fine finish on the surface. The poster print is optimally designed for framing the art replica using a special frame. Please bear in mind, that depending on the size of the poster we add a white margin of something between 2-6cm round about the print motif in order to facilitate the framing.
• Mbipụta enyo acrylic: A glossy acrylic glass print, often described as a print on plexiglass, will convert the original artwork into beautiful wall décor and makes a good alternative option to aluminium or canvas fine art replicas. The artwork is being made with state-of-the-art UV print machines. The result of this are deep, vivid colors. With an acrylic glass art print sharp contrasts as well as details will be visible due to the precise tonal gradation.
• Metal (aluminium debond mbipụta): This is a metal print made on aluminium dibond with an outstanding depth. The Aluminium Dibond Print is your perfect start to the sophisticated world of fine art replicas with aluminum. The white & bright parts of the artpiece shine with a silk gloss, however without any glare. The colors are vivid and luminous in the highest definition, the fine details of the print appear crisp and clear, and you can feel the matte appearance. The direct print on aluminium is one of the most popular entry-level products and is a truly stylish way to display art reproductions, because it draws focus on the artwork.

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Ozi dị mkpa: We try whatever we can to depict the art products with as many details as possible and to showcase them visually on the various product detail pages. Although, the colors of the printing material, as well as the printing may diverge marginally from the representation on your screen. Depending on the screen settings and the condition of the surface, color pigments might not be printed as exactly as the digital version. Given that all the art reproductions are processed and printed by hand, there might as well be minor differences in the size and exact position of the motif.

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