Jean Léon Gérôme, 1851 - Eserese nwanyị - mbipụta nka mara mma

Họrọ ụdị ihe ebipụta nka kacha amasị gị

Maka mbipụta nka ọ bụla, anyị na-enye nha & ihe dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Glass acrylic ebipụtara (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, which is sometimes labelled as a fine art print on plexiglass, transforms the artwork into home decoration and is a great alternative option to canvas and aluminidum dibond prints. With an acrylic glass fine art print contrasts and minor painting details become recognizeable due to the very subtle gradation. Our real glass coating protects your selected art print against sunlight and external influences for decades.
• Kwaaji: A printed canvas, which should not be confused with a painting on a canvas, is a digital copy printed onto canvas. A canvas produces a particular look of three-dimensionality. Canvas prints are relatively low in weight. That means, it is easy to hang up your Canvas print without the use of any wall-mounts. That is why, canvas prints are suited for any type of wall.
• Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with a true depth. The Direct Print on Aluminum Dibond is your perfect introduction to the sophisticated world of art reproductions manufactured with aluminum. For our Direct Aluminium Dibond print, we print your selected artwork right on the surface of the white-primed aluminum.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a UV printed flat canvas paper with a slightly roughened finish on the surface. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6 cm around the work of art, which facilitates the framing.

Ihe dị mkpa: We try all that we can to describe our art products as accurately as possible and to demonstrate them visually in our shop. Still, the colors of the printed materials, as well as the printing may diverge somehwat from the representation on your monitor. Depending on your settings of your screen and the condition of the surface, not all color pigments will be printed as exactly as the digital version depicted here. Considering that all art prints are printed and processed by hand, there might as well be minor variations in the exact position and the size of the motif.

Nkọwa nke edemede

N'elu 160 afọ nka nka Eserese nwanyị e sere ya Jean Léon Gérôme n'afọ 1851. E ji nha ya mee nke mbụ: 92,6 × 73,7 cm (36 1/2 × 29 na). Mmanụ na kwaaji was used by the French painter as the technique for the piece of art. The painting has the following text as inscrption: inscribed at right: J. L. Gerome 1851. Taa, mpempe nka bụ nke Ụlọ ọrụ Art nke Chicago digital art collection located in Chicago, Illinois, United States of America. This nkà nke oge a work of art, which is in the public domain is included - courtesy of Ụlọ ọrụ Art Chicago. Ebe kredit nke ọrụ nka: Onyinye amachibidoro nke Silvain na Arma Wyler Foundation. Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese format na oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.

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