Jean-Léon Gérôme, 1880 - Ịhapụ Oasis - ọmarịcha nka.

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Nke a gafee 140 year-old painting was made by the artist Jean-Léon Gérôme. The 140 year old version of the artpiece had the size: Nhazi: 67,3 x 98,4 x 9,5 cm (26 1/2 x 38 3/4 x 3 3/4 na); Edebereghị: 50 x 81,2 cm (19 11/16 x 31 15/16 na). Mmanụ na osisi panel was applied by the painter as the medium of the masterpiece. "Signed lower center right: j. l. gerome" was the painting's original inscription. This artpiece is included in the The Cleveland Museum of Art's digital collection, which is located in Cleveland, Ohio, United States of America. With courtesy of The Cleveland Museum of Art (license: public domain). : Gift of Mr. and Mrs. Noah L. Butkin. Moreover, alignment is odida obodo na nha onyonyo nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Jean-Léon Gérôme was a male painter, whose artistic style can primarily be classified as Realism. The French artist was born in 1824 and deceased at the age of 80 na 1904.

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Leaving the Oasis repeats several themes in Gérôme's art—camel caravans, oases, and expansive desert landscapes. As an academic realist, Gérôme painted everyday scenes in a meticulous and polished style. Here he carefully rendered the unique forms of the figures' dress and the camels' physical features, as well as the colors of the changing sky and the violet shadows cast by the airborne dogs and the legs of the camels. Although the picture's smoothness and detail suggest a photographic image, Gérôme actually composed his paintings in the studio, basing them on memories and sketches from his visits to the Near East. Following his first trip to Egypt in 1856, he developed into a major figure among 19th-century "Orientalists"—artists who specialized in representing Near Eastern life, culture, and landscapes.

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The product dropdown menu gives you the opportunity to choose your prefered material and size. The following sizes and materials are the options we offer you for individualization:

• Mbipụta iko acrylic na-egbuke egbuke: A glossy acrylic glass print, which is sometimes named as a an art print on plexiglass, will change the original work of art into beautiful décor. Above all, it makes a distinct alternative option to canvas and dibond fine art replicas. Your favorite artwork is being made with state-of-the-art UV direct printing machines. This makes vivid and deep colors. The major benefit of an acrylic glass fine art copy is that contrasts and image details become visible due to the very subtle tonal gradation.
• Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are prints on metal with an impressive effect of depth. For our Direct Print On Aluminum Dibond, we print the selected artwork onto the surface of the white-primed aluminum material. The bright and white parts of the artpiece shine with a silk gloss, however without any glare. The colors are luminous in the highest definition, fine details are clear and crisp, and the print has a a matte appearance you can literally feel. The direct print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to showcase art reproductions, as it draws attention on the artwork.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: Our poster print is a printed flat cotton canvas with a fine texture on the surface, that resembles the original artwork. A poster print is excellently qualified for framing the art replica in a customized frame. Please bear in mind, that depending on the size of the poster we add a white margin of approximately 2 - 6cm round about the print motif, which facilitates the framing with your custom frame.
• Mbipụta kanvas: A canvas print, not to be confused with an artwork painted on a canvas, is an image printed from a UV direct printer. A canvas produces a sculptural impression of three dimensionality. A canvas print has the great advantage of being low in weight, which implies that it is easy and straightforward to hang up the Canvas print without the use of additional wall-mounts. A canvas print is suitable for all kinds of walls.

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Nkwupụta iwu: We try everythig possible to describe the products with as many details as it is possible and to illustrate them visually on the different product detail pages. Nevertheless, some pigments of the print materials and the printing can differ to a certain extent from the representation on the device's screen. Depending on the settings of your screen and the quality of the surface, not all colors will be printed as exactly as the digital version. Given that our art reproductions are processed and printed manually, there might also be minor variations in the motif's exact position and the size.

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