Jean Honoré Fragonard, 1760 - ime ime Rome - mbipụta nka mara mma

Nke a kpochapụwo nka nka a na-akpọ Roman Interior onye France na-ese ihe mere ya Jean Honoré Fragonard in 1760. The 260 e ji nha ya mere ọmarịcha ọmarịcha afọ: 19 1/4 x 23 3/8 na (48,9 x 59,4 cm). Mmanụ na kwaaji was applied by the French artist as the medium of the masterpiece. Nowadays, the artwork can be viewed in in the The Metropolitan Museum of Art's digital collection. We are pleased to reference that the ngalaba ọha masterpiece is included with courtesy of The Metropolitan Museum of Art, New York, Harris Brisbane Dick Fund, 1946. The creditline of the artpiece is the following: Harris Brisbane Dick Fund, 1946. Ọzọkwa, nhazi nke mmepụta dijitalụ dị n'ime odida obodo format na nha onyonyo nke 1.2: 1, nke na-egosi na ogologo ya dị 20% ogologo karịa obosara.

Họrọ ngwa ngwaahịa nke ị họọrọ

Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta kwaaji: A canvas print is a printed canvas mounted on a wooden frame. Canvas prints are relatively low in weight, meaning that it is easy to hang your Canvas print without any wall-mounts. Therefore, a canvas print is suited for any kind of wall.
• Ebipụta akwụkwọ mmado na ihe akwa akwa: The poster is a UV printed sheet of flat canvas with a nice structure on the surface. The poster print is designed for framing the fine art print with a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of around 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An acrylic glass print, often referred to as a plexiglass print, transforms the original work of art into beautiful wall décor. Your own version of the artwork is manufactured with state-of-the-art UV printing machines. The major advantage of a plexiglass art print is that contrasts as well as minor details will be more exposed thanks to the very subtle gradation in the picture. Our real glass coating protects your chosen art replica against light and heat for many years.
• Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with a true depth effect, which creates a contemporary impression thanks to a non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your ideal introduction to the sophisticated world of fine reproductions with aluminum. For our Print On Aluminum Dibond, we print the artpiece on the aluminium composite surface. Colors are luminous, the fine details appear crisp and clear.

Ederede iwu: We try what we can to depict our art products as clearly as possible and to exhibit them visually on the respective product detail pages. Nonetheless, some colors of the print materials, as well as the print result can differ to a certain extent from the image on the device's screen. Depending on your screen settings and the condition of the surface, color pigments may not be printed as realistically as the digital version shown here. Since the art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.

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Nkọwa agbakwunyere site na The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Rather few eighteenth-century French artists would have painted a laundry, which is evidently what we see here. The canvas dates to about 1760, toward the end of Fragonard's first trip to Italy. His impetuous technique falls between the usual stages of preparatory sketch and finished work. The surface has suffered wear and damage, but the central figure group is intact. Fragonard paints the chaotic scene with warmth and feeling.