Jean Honoré Fragonard, 1764 - Nri Anyasị Ikpeazụ - mbipụta nka mara mma

Ihe ngosi nka nke ụlọ ngosi nka (© Nwebiisinka - site na The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

This etching is from a group of sixteen made by Fragonard in Paris around 1763-64, based on black chalk drawings he had made in Italy a few years earlier for his friend and patron, the abbé de Saint-Non. Of the sixteen, ten were based on Venetian models, including this one after Sebastiano Ricci (Italian, 1659-1734). Ricci's original canvas, made for the church of Corpus Domini does not survive, so we cannot be sure to what degree Fragonard may have altered or simplified his canvas. According to contemporary guidebooks, Ricci's painting was unusual in that it depicted the moment after the Last Supper had concluded, when some disciples remained at the table and servants were clearing away dishes and linens.

Nchịkọta nke ngwaahịa ebipụta

N'elu 250 onye na-ese ihe na-ese ihe osise dị afọ Jean Honoré Fragonard. The artpiece measures the size of Sheet: 6 5/8 x 8 1/2 in (16,8 x 21,6 cm) Image: 3 5/8 x 5 1/2 in (9,2 x 13,9 cm) Plate: 3 3/4 × 5 3/4 in (9,5 × 14,6 cm). Etching, first state of two was applied by the French artist as the medium of the painting. The work of art is included in the art collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. Site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Elisha Whittelsey, Ego Elisha Whittelsey, 1966 (ikikere: ngalaba ọha). Ebe kredit nke ọrụ nka: Mkpokọta Elisha Whittelsey, Ego Elisha Whittelsey, 1966. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo ma nwee oke onyonyo nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.

Họrọ ngwa ngwaahịa gị

In the dropdown selection next to the product offering you can select the material and size of your choice. The following sizes and materials are the options we offer you for individualization:

• Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with a true depth effect - for a modern look and non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your excellent introduction to art reproductions with alu. For the Aluminium Dibond option, we print your chosen artpiece on the aluminium white-primed surface. The bright parts of the artwork shimmer with a silk gloss but without glow. The colors are luminous, the fine details appear clear and crisp. This direct UV print on aluminium is the most popular entry-level product and is a stylish way to showcase art prints, as it puts the viewer’s focus on the artwork.
• Ugogbe acrylic ebipụtara: A glossy acrylic glass print, which is sometimes described as a print on plexiglass, changes your original into brilliant décor. The major benefit of an acrylic glass print is that contrasts and also smaller image details will be more visible with the help of the very fine gradation in the print.
• Kwaaji: The canvas print, which shall not be mistaken with a real painting on a canvas, is a digital replica printed onto canvas material. Besides, canvas print produces a soft and comfy feeling. The advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang your Canvas print without the support of any wall-mounts. A canvas print is suited for any type of wall.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The Artprinta poster print is a printed cotton canvas paper with a slightly roughened structure on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of around 2-6cm round about the print motif, which facilitates the framing with your custom frame.

Tebụl nyocha nke onye na-ese ihe

Data ndabere na mpempe nka

Nkọwa akụkọ ahaziri ahazi

Ederede iwu dị mkpa: We try our utmost to depict the products with as many details as possible and to illustrate them visually. However, the tone of the printed materials, as well as the printing might differ marginally from the image on the monitor. Depending on the screen settings and the quality of the surface, not all color pigments will be printed as realisitcally as the digital version depicted here. Considering that all the fine art prints are printed and processed by hand, there may as well be slight discrepancies in the motif's exact position and the size.

© nwebiisinka, www.artprinta.com (Artprinta)