Abraham van Calraet, 1680 - Ndụ ka nwere piich na grape - mbipụta nka mara mma

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Wed. G. Dorens & Zn Gallery, Amsterdam, 1916; Abraham Bredius, The Hague, 1916-1946 (on long-term loan to the Mauritshuis since 1916); bequest of Abraham Bredius, 1946

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• Mbipụta kwaaji: The canvas print, not to be confused with an artwork painted on a canvas, is a digital copy applied on a cotton canvas. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without the use of additional wall-mounts. A canvas print is suitable for any type of wall.
• Mbipụta nke aluminom: An Aluminium Dibond print is a material with an impressive depth. The Direct Print on Aluminum Dibond is the perfect start to the sophisticated world of prints produced on aluminum. For your Print On Aluminum Dibond, we print the selected artpiece right onto the aluminium composite surface.
• Poster (akwa akwa akwa): The poster print is a UV printed flat canvas paper with a slightly rough structure on the surface, which reminds the original artwork. Please note, that depending on the absolute size of the poster we add a white margin of something between 2 - 6cm round about the print, which facilitates the framing with a custom frame.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often named as a plexiglass print, will convert the original artwork into brilliant décor and offers a good alternative to canvas or dibond fine art prints. The artwork is being manufactured with the help of modern UV printing machines. This creates the image effect of intense and deep colors. The major upside of an acrylic glass fine art copy is that sharp contrasts and granular color details become visible due to the granular tonal gradation. Our plexiglass with real glass coating protects your chosen art print against sunlight and heat for decades.

Ihe nka akpọrọ Ndụ na piich na mkpụrụ vaịn dika nka nka

"Still Life with Peaches and Grapes" was by Abraham van Calraet in 1680. Ihe gafere 340 mbụ dị afọ tụrụ nha: ịdị elu: 89 cm obosara: 73 cm | elu: 35 n'obosara: 28,7 inch. Mmanụ na kwaaji was used by the artist as the technique for the piece of art. "Signed: A v Calraet" was the artpiece's inscription. Furthermore, this artpiece is included in the Ndị Maurithuis mkpokọta nka. Nke nka ochie artpiece, nke bụ nke ngalaba ọha is being provided with courtesy of Mauritshuis, The Hague. : Wed. G. Dorens & Zn Gallery, Amsterdam, 1916; Abraham Bredius, The Hague, 1916-1946 (on long-term loan to the Mauritshuis since 1916); bequest of Abraham Bredius, 1946. In addition to that, the alignment is Eserese and has a ratio of 1 : 1.2, which implies that the length is 20% shorter than the width. Abraham van Calraet was a painter, whose artistic style can be classified as Baroque. The painter was born in the year 1642 ma gafee na afọ nke 80 n'afọ 1722.

Nkwupụta iwu: We try our best in order to describe our products as clearly as possible and to illustrate them visually in our shop. Although, the tone of the printed materials and the printing might differ slightly from the presentation on the device's screen. Depending on the screen settings and the nature of the surface, not all colors can be printed one hundret percent realistically. Given that our fine art prints are processed and printed by hand, there may also be minor deviations in the exact position and the size of the motif.

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