Antoine Vollon, 1870 - Ndụ na cheese - mbipụta nka mara mma

28,99 €

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Ihe nka a na-akpọ Still Life with Cheese kere site na nwoke onye na-ese ihe Antoine Vollon n’afọ 1870. Ihe kariri 150 a na-ese ihe ochie na nha: 33 3/8 x 35 3/8 na (84,8 x 89,9 cm). Oil on canvas was applied by the French artist as the medium of the piece of art. It is in the the digital collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Nke a nkà nke oge a ngalaba ọha masterpiece is supplied with courtesy of The Metropolitan Museum of Art, New York, Bequest of William Hall Walker, 1917. Besides, the artwork has the creditline: Bequest of William Hall Walker, 1917. Ọzọkwa, alignment bụ square ma nwee oke akụkụ nke 1: 1, nke pụtara na ogologo ya na obosara. The painter Antoine Vollon was a European artist, whose style was mainly Realism. The artist lived for a total of 67 afọ, born in the year 1833 in Lyon, Auvergne-Rhone-Alpes, France and deceased in 1900 in Paris, Ile-de-France, France.

Nkọwa agbakwunyere dịka ụlọ ngosi ihe mgbe ochie nyere (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

In his own day, Vollon was hailed as a second Chardin. This work, probably painted in the late 1870s, exhibits his technical virtuosity in describing the surface, light, and texture of everyday objects. His still lifes, in their choice of theme, palette, and broad handling, reflect the influence of his mentor Ribot, whose work was likewise indebted to seventeenth-century Spanish painting.

Nkọwa na mpempe nka

Aha nka: "Ndụ ka na cheese"
Nhazi nka: sere
Okwu mkpokọta: nkà nke oge a
Narị afọ nka: 19th narị afọ
Emepụtara n'afọ: 1870
Afọ nka: karịa afọ 150
Usoro nka izizi: mmanụ na kwaaji
Nha izizi: 33 3/8 x 35 3/8 na (84,8 x 89,9 cm)
Ụlọ ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
E Nwere na: www.metmuseum.org
Licensedị ikike: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Bequest of William Hall Walker, 1917
Ebe kredit nke ọrụ nka: Bequest of William Hall Walker, 1917

Ozi nka ahaziri

Ihe nkiri: Antoine Vollon
Aha ndị ọzọ: ant. vollon, Vollon Antoine, A. Vollon, vollon antoine, Vollon, Antoine Vollon, vollon a., vollon a.
okike nke onye nka: nwoke
Nationality: French
Ọrụ onye na-ese ihe: onye na-ese ihe
Obodo obibi: France
Nkewa onye nka: omenkà nke oge a
Ụdị nke onye na-ese ihe: Ihe ngosi
Afọ ọnwụ: 67 afọ
Amụrụ n'afọ: 1833
Ebe omuma: Lyon, Auvergne-Rhone-Alpes, France
Afọ nwụrụ: 1900
Obodo ọnwụ: Paris, Ile-de-France, France

Ihe di

N'ime menu ndọpụta ngwaahịa ị nwere ike ịhọrọ ngwa na nha nke gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

  • Mbipụta iko acrylic na-egbuke egbuke: A glossy acrylic glass print, often referred to as a an art print on plexiglass, makes your selected original into beautiful décor and forms a great alternative option to dibond or canvas fine art prints. The artwork will be made with modern UV printing technology. The plexiglass with real glass coating protects your selected art print against light and external influences for several decades.
  • Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an outstanding effect of depth, which creates a fashionable look thanks to a non-reflective surface. The Direct Print on Aluminum Dibond is your best introduction to fine art reproductions made on aluminum. This print on aluminium is one of the most demanded entry-level products and is an extremely modern way to display fine art reproductions, because it draws focus on the artwork.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): A poster print is a printed flat canvas with a slightly rough surface texture, which resembles the original masterpiece. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6 cm around the work of art to facilitate the framing with your custom frame.
  • Kwaaji: A canvas print is a printed canvas stretched on a wooden stretcher. It has a particular impression of three dimensionality. In addition to that, a canvas print creates a cosy and pleasing look. The advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without the help of additional wall-mounts. A canvas print is suited for any type of wall.

Nkọwa ngwaahịa

Nkewa edemede: mmepụta nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: UV kpọmkwem obibi
Nlụpụta: arụpụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ihe eji eme atụmatụ: mgbidi mma, mgbidi gallery
Nhazi nka nka: nhazi square
Njikwa oyiyi: 1: 1
Mmetụta akụkụ: ogologo ya na obosara
Nhọrọ akwa: acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond)
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 20x20cm - 8x8 ", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39", 150x150cm - 59x59", 180-x180cm
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Nhọrọ mbipụta aluminom: 20x20cm - 8x8", 30x30cm - 12x12", 50x50cm - 20x20", 70x70cm - 28x28", 100x100cm - 39x39"
Nhazi mbipụta nka: mmeputakwa na-enweghị isi

Ozi dị mkpa: We try what we can in order to describe the products with as many details as possible and to display them visually in our shop. Still, the colors of the printed materials, as well as the printing may differ marginally from the image on your monitor. Depending on the settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as realistically as the digital version depicted here. Considering that all are printed and processed manually, there may as well be minor variations in the exact position and the size of the motif.

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