Dirck de Bray, 1674 - Ndụ ka na-enwe Bouquet na Ime - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka ndị ọzọ sitere na museum (© - nke Mauritshuis - Maurithuis)
Sale London, Christie's, 21 June 1968, lot 91, to Speelman; Edward Speelman Gallery, London; Robert H. Smith, Washington; S. Nijstad Gallery, The Hague, 1977; Jonkheer L.C. de Villeneuve, Wassenaar, 1977-2005; by inheritance into the family; acquired with the support of the BankGiro Loterij, the Rembrandt Association, and Mr H.B. van der Ven, 2011
Ngwaahịa nka
Nke a na narị afọ nke 17 na-ese site na nwoke Onye na-ese Dutch Dirck de Bray. The 340 year-old painting has the following size: height: 40,5 cm width: 35,7 cm | height: 15,9 in width: 14,1 in and was painted on the medium mmanụ na panel. Dated and signed: 1674 D.D.Bray. F. is the artwork's original inscription. It forms part of the art collection of Maurithuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. We are happy to reference that this masterpiece, which belongs to the public domain is supplied with courtesy of Mauritshuis, The Hague. : Sale London, Christie's, 21 June 1968, lot 91, to Speelman; Edward Speelman Gallery, London; Robert H. Smith, Washington; S. Nijstad Gallery, The Hague, 1977; Jonkheer L.C. de Villeneuve, Wassenaar, 1977-2005; by inheritance into the family; acquired with the support of the BankGiro Loterij, the Rembrandt Association, and Mr H.B. van der Ven, 2011. Na mgbakwunye na nke ahụ, nhazi ahụ bụ Eserese na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Dirck de Bray was a European artist from the Netherlands, whose artistic style can be classified as Baroque. The European painter lived for 59 afọ, born in 1635 in Haarlem, North Holland, Netherlands and deceased in 1694.
Họrọ nhọrọ ihe ebipụta nka
N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ nha na ihe ị họọrọ. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:
- Mbipụta nke aluminom: An Aluminium Dibond print is a print material with an outstanding depth, which creates a fashionable impression throuch a surface structure, which is not reflective. The bright components of the artwork shine with a silky gloss, however without any glow. The direct UV print on aluminium is one of the most popular entry-level products and is an extremely modern way to showcase art reproductions, because it draws focus on the artwork.
- Kwaaji: A canvas print is a printed cotton canvas stretched on a wooden stretcher. The canvas generates a charming and pleasant feeling. Your printed canvas of this work of art will let you turn your into a large artwork like you know from art galleries. Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without any wall-mounts. A canvas print is suitable for any type of wall.
- Akwụkwọ mmado na ihe kwaaji: The poster is a UV printed sheet of canvas with a slight surface finish. Please note, that depending on the absolute size of the poster we add a white margin of around 2 - 6cm round about the print in order to facilitate the framing with a custom frame.
- Bipụta na iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, often denoted as a UV print on plexiglass, makes the original artwork into magnificient décor. What is more, the acrylic glass art print forms a great alternative option to dibond or canvas art prints. Your own version of the artwork is made thanks to state-of-the-art UV print machines.
Nchịkọta nkenke nke onye na-ese ihe
Ihe nkiri: | Dirck de Bray |
Aha utu aha: | Bray Dirck Salomonsz. de, de Braij, de bray dirck, Dirk Bray, Dirck de Bray, T. de Bray, D. De Bray, De Bray, Theodor de Brag, Bray, Dirck Salomonsz. De Bray, dirk de bray, Bray Dirk de, Bray Dirck de, Theodor de Bray |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Obodo onye nka: | mba netherland |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ na afọ nke: | 59 afọ |
Afọ ọmụmụ: | 1635 |
Amụrụ na (ebe): | Haarlem, North Holland, Netherlands |
Nwuru: | 1694 |
Nwuru na (ebe): | Goch, North Rhine-Westphalia, Germany |
Data nka ahaziri
Aha nka: | "Still Life with a Bouquet in the Making" |
nhazi ọkwa: | sere |
Otu sara mbara: | nka ochie |
Time: | 17th narị afọ |
Afọ okike: | 1674 |
Afọ nka: | 340 afọ |
Ọkara nke ihe osise izizi: | mmanụ na panel |
Ogo nke ọrụ nka izizi: | elu: 40,5 cm obosara: 35,7 cm |
Akara mbinye aka: | dated and signed: 1674 D.D.Bray. F. |
Egosiputara na: | Maurithuis |
Ebe ngosi nka: | Hague, South Holland, Netherlands |
website: | Maurithuis |
License: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
Ebe kredit nke ọrụ nka: | Sale London, Christie's, 21 June 1968, lot 91, to Speelman; Edward Speelman Gallery, London; Robert H. Smith, Washington; S. Nijstad Gallery, The Hague, 1977; Jonkheer L.C. de Villeneuve, Wassenaar, 1977-2005; by inheritance into the family; acquired with the support of the BankGiro Loterij, the Rembrandt Association, and Mr H.B. van der Ven, 2011 |
Product nkọwa
Nkewa bipụta: | mmepụta nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | mbipụta dijitalụ (Mbipụta UV ozugbo) |
Nlụpụta: | emepụtara na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
Ihe eji eme atụmatụ: | foto mgbidi, mgbidi gallery |
Nhazi onyonyo: | usoro eserese |
Ụdị anya: | 1:1.2- ogologo: obosara |
Nkọwa: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Igwe onyonyo: | enweghị etiti |
Ozi dị mkpa: We try our best to depict the art products in as much detail as it is possible and to illustrate them visually. Please bear in mind that the tone of the printed materials and the printing might vary somehwat from the presentation on your device's monitor. Depending on your settings of your screen and the condition of the surface, color pigments might not be printed one hundret percent realistically. Bearing in mind that all our art reproductions are processed and printed by hand, there might as well be slight discrepancies in the motif's size and exact position.
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