Jean-Baptiste Oudry, 1721 - ka ndụ nke mkpụrụ osisi na akwụkwọ nri (ụwa) - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nchịkọta ngwaahịa
Omuma nka Still Life of Fruits and Vegetables (Earth) kere site na Baroque nwe- Jean-Baptiste Oudry in 1721. Nke kariri 290 mbụ dị afọ tụrụ nha: Ogologo: 145 cm (57 ″); Ogologo: 113 cm (44,4 ″) and was manufactured on the medium oil on canvas. Nowadays, the work of art can be viewed in in the art collection of National Museum nke Stockholm, nke bụ Sweden ngosi nka nka na imewe, a Swedish ọchịchị ikike na a mandatet o chekwa omenala nketa na-akwalite art, mmasị nka na ihe ọmụma nka. Site n'ikike nke - Nationalmuseum Stockholm na Wikimedia Commons (ikike: ngalaba ọha): . N'elu nke ahụ, nhazi n'ime Eserese usoro ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter, designer, etcher Jean-Baptiste Oudry was an artist, whose style was primarily Baroque. The French artist lived for 69 afọ, amuru na 1686 na Paris, Ile-de-France, France wee nwụọ na 1755.
Nhọrọ ihe enwere ike
Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ihe na nha ọkacha mmasị gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an outstanding depth. The non-reflective surface make a fashionable look. A direct Aluminium Dibond Print is your excellent introduction to art replicas on aluminum. The bright & white parts of the artpiece shimmer with a silky gloss but without glow. The print on Aluminum Dibond is one of the most popular entry-level products and is a truly sophisticated way to display art reproductions, because it draws attention on the artwork.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes denoted as a plexiglass print, changes your original work of art into brilliant décor. Besides, it forms a viable alternative option to canvas and dibond fine art prints. Your own version of the artwork will be printed with the help of state-of-the-art UV print technology. With an acrylic glass art print sharp contrasts plus small painting details will be visible because of the very fine tonal gradation.
- Kwaaji: A UV printed canvas applied on a wooden frame. It makes a plastic look of three-dimensionality. Canvas prints are relatively low in weight, which implies that it is easy to hang up the Canvas print without the help of additional wall-mounts. A canvas print is suited for any kind of wall.
- Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a UV printed cotton canvas paper with a slight structure on the surface. The print poster is best used for putting the art replica with the help of a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin 2 - 6cm around the painting to facilitate the framing with a custom frame.
Legal disclaimer: We try the best we can to describe the art products as closely as possible and to display them visually in our shop. At the same time, the colors of the printed materials, as well as the printing can vary slightly from the image on your screen. Depending on the settings of your screen and the nature of the surface, not all color pigments are printed as exactly as the digital version. Given that the art prints are processed and printed by hand, there may as well be minor variations in the exact position and the size of the motif.
Nkọwa ngwaahịa ahaziri ahazi
Ụdị edemede: | ọrụ mgbidi |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | mbipụta dijitalụ |
Ihe ngosi: | German mmepụta |
Stockdị ngwaahịa: | a na-achọ |
Eji ngwaahịa emebere: | nka mgbidi, mma mgbidi |
Nhazi: | nhazi ihe osise |
Ụdị anya: | 1: 1.2 (ogologo: obosara) |
Nsonaazụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Akwa mmeputakwa dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), akwụkwọ akwa akwa. |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | na-enweghị etiti |
Tebụl ihe osise
Aha nke ihe nka: | "Still Life of Fruits and Vegetables (Earth)" |
Nhazi nka nka: | sere |
Category: | nka ochie |
oge: | 18th narị afọ |
Emepụtara na: | 1721 |
Ogologo afọ nka nka: | karịa afọ 290 |
Ihe osise izizi: | mmanụ na kwaaji |
Nha izizi: | Ogologo: 145 cm (57 ″); Ogologo: 113 cm (44,4 ″) |
Egosiputara na: | National Museum nke Stockholm |
Ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
E Nwere na: | National Museum nke Stockholm |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Tebụl nyocha nke onye na-ese ihe
aha: | Jean-Baptiste Oudry |
Aha nka ndị ọzọ: | Oudry J. B. Siméon, Johann Bapt. Oudry, Audray, J. B. Oudry, Oudry Jean Baptiste, Houdrie of Paris, J.B. Oudry, J. B. Oudri, Oudry père, jean b oudry, Oudry J.-B., J.B. Audry, J. Bapt. Oudry, Oudrey, jan baptiste oudry, J.B. Houdry, Jean Baptiste Audry, M oudry, אודרי ג'אן בטיסט, J. Baptiste Oudry, Audrey, Oudri, Oudry J. B., Jan Baptist Oudry, J.B. Oudri, jean bapt. oudry, Houdry, Audry, Jean Baptiste Oudry, Jean-Baptiste Oudry, C. Audrü, Oudry Jean-Baptiste, Oudry, B. Oudry, J.-B. Oudry, Oudry J.B. |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | etcher, onye mmebe, onye na-ese ihe |
Obodo onye nka: | France |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ na afọ nke: | 69 afọ |
Afọ amụrụ: | 1686 |
Amụrụ na (ebe): | Paris, Ile-de-France, France |
Afọ ọnwụ: | 1755 |
Obodo ọnwụ: | Beauvais, Hauts-de-France, France |
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