Joseph Decker, 1886 - Ndụ ka na Tin Can na Nuts - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwapụta akụkọ
Na 1886 na nwoke American artist Joseph Decker kere nka nka. Nke 130 A na-ese ụdị eserese ahụ na nha: 8 1/8 x 14 1/8 x 3/4 na (20,6 x 35,9 x 1,9 cm) emebere: 18 3/4 x 24 3/4 x 2 3/4 na (47,6 x 62,9 x 7 cm). Mmanụ na kwaaji was used by the North American artist as the technique for the painting. The artwork is included in the digital art collection of Yale University Art Gallery, which belongs to Yale University and is the oldest art museum of a university in the western hemisphere. With courtesy of - Artlọ Osisi Mahadum Yale (nwere ikike: ngalaba ọha). Creditline of the artwork: Stephen Carlton Clark, 1903, Thomas F. Howard, Walter S. Brewster, Class of 1895, Robert W. Carle, 1897, and Francis P. Garvan, 1897, Funds by exchange. Besides, the alignment of the digital reproduction is landscape with a ratio of 16: 9, nke pụtara na ogologo bụ 78% ogologo karịa obosara.
Iberibe tebụl nka
Aha nke ọrụ nka: | "Still Life with Tin Can and Nuts" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
oge: | 19th narị afọ |
Emepụtara n'afọ: | 1886 |
Ogologo afọ nka nka: | ihe dị ka afọ 130 |
Agba na: | mmanụ na kwaaji |
Nha izizi nka: | 8 1/8 x 14 1/8 x 3/4 na (20,6 x 35,9 x 1,9 cm) emebere: 18 3/4 x 24 3/4 x 2 3/4 na (47,6 x 62,9 x 7 cm) |
Ụlọ ihe ngosi nka / ebe: | Artlọ Osisi Mahadum Yale |
Ebe ngosi nka: | New Haven, Connecticut, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Artlọ Osisi Mahadum Yale |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Artlọ Osisi Mahadum Yale |
Ebe E Si Nweta: | Stephen Carlton Clark, 1903, Thomas F. Howard, Walter S. Brewster, Class of 1895, Robert W. Carle, 1897, and Francis P. Garvan, 1897, Funds by exchange |
Banyere omenka
Aha onye nka: | Joseph Decker |
Aha ndị ọzọ: | Decker Joseph, Joseph Decker |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ: | onye na-ese ihe |
Country: | United States |
Nhazi nke onye nka: | omenkà nke oge a |
Afọ ọnwụ: | 71 afọ |
Afọ amụrụ: | 1853 |
Ebe omuma: | Wurttemberg, Baden-Wurttemberg, Germany, general region |
Afọ nwụrụ: | 1924 |
Nwụrụ na (ebe): | Brooklyn, New York City, New York steeti, Njikota Obodo Amerika |
Kedu ihe m nwere ike iburu?
We offer a range of different materials and sizes for every product. You can select your preferred material and size among the subsequent choices:
- Mbipụta kwaaji: The UV printed canvas stretched on a wood frame. Additionally, a canvas creates a attractive and enjoyable look. A printed canvas of your favorite masterpiece will provide you with the unique chance of transforming your fine art print into a large size work of art. Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without extra wall-mounts. A canvas print is suitable for all types of walls.
- Mpempe akwụkwọ ederede (akwa akwa akwa): A poster is a printed sheet of flat cotton canvas paper with a fine texture on the surface. Please bear in mind, that depending on the size of the poster we add a white margin of around 2-6cm around the print motif to facilitate the framing.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often named a plexiglass print, transforms your favorite artwork into beautiful wall décor. Moreover, it is a good alternative option to dibond and canvas fine art replicas. Your own copy of the artwork will be manufactured with modern UV printing technology. With an acrylic glass art print contrasts plus color details become more recognizeable with the help of the fine tonal gradation of the picture. The plexiglass protects your chosen art replica against sunlight and heat for several decades.
- Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with a true effect of depth, which makes a contemporary look throuch a surface , that is not reflective. A direct Direct Print on Aluminum Dibond is your perfect start to the sophisticated world of art prints with aluminum. The bright parts of the original artpiece shine with a silky gloss, however without glare. The UV print on aluminium is the most popular entry-level product and is a truly contemporary way to showcase art reproductions, since it draws focus on the artwork.
Nkọwa akụkọ ahaziri ahazi
Nkewa bipụta: | ọmarịcha nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | German mere |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | ihe ndozi mgbidi, mgbidi gallery |
Nhazi nka nka: | nhazi odida obodo |
Njikwa oyiyi: | ogologo ruo obosara 16: 9 |
Oke onyonyo pụtara: | ogologo bụ 78% ogologo karịa obosara |
Ụdị ngwaahịa dị iche iche: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 90x50cm - 35x20", 180x100cm - 71x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 90x50cm - 35x20", 180x100cm - 71x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 90x50cm - 35x20" |
Nhọrọ nha mbipụta aluminom: | 90x50cm - 35x20" |
Nhazi nke nka nka: | mbipụta nka na-enweghị isi |
Nkwupụta iwu: We try the best we can to depict our products as precisely as possible and to display them visually. Nonetheless, the colors of the print products and the imprint may differ marginally from the presentation on the device's screen. Depending on your settings of your screen and the quality of the surface, color pigments may not be printed 100% realistically. Since all the are printed and processed manually, there might also be minor differences in the exact position and the size of the motif.
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