Alexej von Jawlensky - N'agbanyeghị ndụ na mkpụrụ - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndabere na ọrụ nka mbụ
Aha nka nka: | "Still life with fruit" |
Nchịkọta nke ọrụ nka: | sere |
Usoro izizi: | mmanụ na kaadiboodu |
Nha izizi (ọrụ nka): | 48,3 cm x 67,9 cm x 0,15 cm |
mbinye aka na ihe osise: | bottom left: A. Jawlensky. |
Egosiputara na: | Städtische Galerie im Lenbachhaus und Kunstbau München |
Ebe ngosi nka: | Munich, Bavaria, Jamanị |
Weebụsaịtị ihe ngosi nka: | Städtische Galerie im Lenbachhaus und Kunstbau München |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Alexej von Jawlensky, Stillleben mit Früchten, Oil On Cardboard, 48,3 cm x 67,9 cm x 0,15 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, https://sammlungonline.lenbachhaus.de/objekt/stillleben-mit-fruechten-30012464.html |
Ebe kredit nke ọrụ nka: | Städtische Galerie im Lenbachhaus und Kunstbau München |
Tebụl nchịkọta ihe nkiri
Ihe nkiri: | Alexej von Jawlensky |
okike nke onye nka: | nwoke |
Obodo onye nka: | Russian |
Ọrụ: | onye na-ese ihe |
Mba onye si: | Russia |
Ụdị nka: | Nkwupụta |
Nwụrụ na afọ nke: | 77 afọ |
Afọ ọmụmụ: | 1864 |
Ebe omuma: | Torzhok, Russia |
Nwuru: | 1941 |
Nwuru na (ebe): | Wiesbaden |
Banyere edemede a
Bipụta ngwaahịa: | mmepụta nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | emepụtara na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ihe eji eme atụmatụ: | mgbidi mma, mgbidi gallery |
Ndepụta: | nhazi odida obodo |
Njikwa oyiyi: | 1.4: 1 ogologo ruo obosara |
Nkọwa nke oke akụkụ: | ogologo bụ 40% ogologo karịa obosara |
Ụdị dị iche iche dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 70x50cm - 28x20" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: | 70x50cm - 28x20" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 70x50cm - 28x20" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 70x50cm - 28x20" |
Nhazi mbipụta nka: | na-enweghị etiti |
Kedu ụdị ngwaahịa ngwaahịa ka amasị gị?
Ndepụta ndetu ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mbipụta kanvas: A canvas print, not to be mistaken with a canvas painting, is a digital copy printed onto canvas material. A canvas print of this artwork will give you the unique chance of turning your into a large size collection piece. Canvas prints are relatively low in weight. This means, it is easy to hang up your Canvas print without extra wall-mounts. A canvas print is suitable for any kind of wall.
- Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a UV printed cotton canvas with a granular surface texture. The poster is perfectly appropriate for putting the fine art print with a custom-made frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2 - 6cm around the work of art, which facilitates the framing with a custom frame.
- Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond with a true depth, which creates a modern look with a surface structure, which is non-reflective. A direct Aluminium Dibond Print is your perfect introduction to fine prints with aluminum. For our Print On Aluminum Dibond, we print the chosen work of art on the aluminium white-primed surface. The white & bright parts of the work of art shimmer with a silky gloss, however without any glare. The colors of the print are vivid and luminous, the fine details of the print appear crisp, and the print has a a matte appearance you can literally feel. The direct UV print on Aluminum Dibond is the most popular entry-level product and is a sophisticated way to display art, as it puts all of the viewer’s focus on the image.
- Ihe odide acrylic glass: The print on acrylic glass, which is sometimes described as a plexiglass print, will change the original work of art into beautiful décor. Your work of art will be custom-made with state-of-the-art UV direct printing technology. This has the effect of impressive and vivid colors. The major advantage of an acrylic glass fine art print is that contrasts as well as painting details will be visible with the help of the very fine gradation.
Ozi gbasara ngwaahịa ebipụta
Ihe nka nka Still life with fruit kere site na onye ngosipụta onye na-ese ihe Alexej von Jawlensky. Nke mbụ na-atụle akụkụ ndị a: 48,3 cm x 67,9 cm x 0,15 cm and was painted with the techinque oil on cardboard. The original artwork is inscribed with the details: "bottom left: A. Jawlensky.". Moveover, this work of art can be viewed in in the Städtische Galerie im Lenbachhaus und Kunstbau München's digital collection, which is a museum with the world'd largest collection of works by the Blue Rider artists, art of the 19th century and modern art after 1945. This masterpiece, which is in the ngalaba ọha is being included with courtesy of Alexej von Jawlensky, Stillleben mit Früchten, Oil On Cardboard, 48,3 cm x 67,9 cm x 0,15 cm, Städtische Galerie im Lenbachhaus und Kunstbau München, https://sammlungonline.lenbachhaus.de/objekt/stillleben-mit-fruechten-30012464.html. Creditline of the artwork: Städtische Galerie im Lenbachhaus und Kunstbau München. In addition to that, the alignment is in odida obodo format ma nwee oke onyonyo nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. Alexej von Jawlensky was a male painter of Russian nationality, whose artistic style can primarily be classified as Expressionism. The painter was born in 1864 na Torzhok, Russia na nwụrụ anwụ na afọ nke 77 na 1941 na Wiesbaden.
Nkwupụta iwu: We try our utmost in order to describe our products with as many details as it is possible and to display them visually on the various product detail pages. However, the tone of the printed materials and the print result might vary slightly from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, colors can unfortunately not be printed 100% realistically. Bearing in mind that all the fine art prints are processed and printed manually, there may also be minor discrepancies in the size and exact position of the motif.
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