Ambrosius Bosschaert, 1620 - Ndụ ka nwere Vase of Flowers - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
This more than 400 year old artpiece was painted by the nwoke artist Ambrosius Bosschaert in 1620. The version of the artwork measures the size Height: 130,3 cm (51,2 ″); Width: 85,5 cm (33,6 ″) Framed: Height: 141 cm (55,5 ″); Width: 99 cm (38,9 ″); Depth: 8 cm (3,1 ″). Oil was used by the painter as the technique for the artwork. This work of art is included in the Nationalmuseum Stockholm's art collection. This public domain artpiece is supplied with courtesy of Nationalmuseum Stockholm na Wikimedia Commons.Ọzọkwa, ọrụ nka nwere akara kredit a: . N'elu nke ahụ, nhazi nke mmepụta dijitalụ na-abanye Eserese usoro ma nwee oke nke 2: 3, nke pụtara na ogologo 33% dị mkpụmkpụ karịa obosara.
Ihe ndị a na-ahọrọ
The product dropdown menu ofers you the opportunity to select your individual size and material. We allow yout to choose among the following variants:
- Mbipụta enyo acrylic: An print on acrylic glass, which is often described as a print on plexiglass, makes the original work of art into lovely décor. The artwork will be made thanks to the help of state-of-the-art UV direct print technology.
- Mpempe akwụkwọ (ihe kwaaji): Our poster is a printed canvas with a slight texture on the surface. It is particularly used for placing your fine art print with a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm around the print, which facilitates the framing with your custom frame.
- Mbipụta nke aluminom: Mbipụta Aluminom Dibond bụ ebipụta nwere ezigbo mmetụta miri emi.
- Kwaaji: A UV printed canvas stretched on a wooden stretcher frame. How do I hang a canvas on the wall? Canvas prints are relatively low in weight, meaning that it is easy to hang the Canvas print without the support of extra wall-mounts. That is why, canvas prints are suitable for all types of walls.
Legal note: We try whatever we can in order to depict our products as clearly as we can and to demonstrate them visually. Please keep in mind that the colors of the print materials and the printing can diverge marginally from the image on the screen. Depending on your screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version. In view of the fact that all are processed and printed by hand, there may as well be slight variations in the motif's exact position and the size.
Ngwaahịa a
Bipụta ngwaahịa: | nka nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV / dijitalụ |
Nlụpụta: | arụpụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | ihe ndozi mgbidi, mgbidi gallery |
Nhazi nke ihe nka: | usoro eserese |
Ụdị anya: | 2: 3 |
Pụtara nke akụkụ akụkụ: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhazi mmeputa nka nka: | mbipụta nka na-enweghị isi |
Data nka ahaziri
Aha nka nka: | "Still Life with a Vase of Flowers" |
Nhazi nka: | sere |
Otu sara mbara: | nka ochie |
Century: | 17th narị afọ |
Afọ nka: | 1620 |
Afọ nka: | ihe karịrị 400 afọ |
Usoro nka izizi: | mmanụ |
Ogo nke ọrụ nka izizi: | Ogologo: 130,3 cm (51,2 ″); Obosara: 85,5 cm (33,6 ″) Ekebere: Elu: 141 cm (55,5 ″); Obosara: 99 cm (38,9 ″); Omimi: 8 cm (3,1 ″) |
Ụlọ ihe ngosi nka / mkpokọta: | National Museum nke Stockholm |
Ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
website: | www.nationalmuseum.se |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Tebụl onye na-ese ihe
aha: | Ambrosius Bosschaert |
Aha utu aha: | Boschaert, Besschaert, Ambrosius Bosschaert, Ambrosius, Bosschaert Ambrosius, Ambrosius Boschart, Bosschaert Amb. |
Gender: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ nke onye na-ese ihe: | Onye omenkà Dutch |
Obodo obibi: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Afọ ọnwụ: | 48 afọ |
A mụrụ: | 1573 |
Obodo ọmụmụ: | Antwerp |
Afọ ọnwụ: | 1621 |
Nwụrụ na (ebe): | The Hague |
© Nwebiisinka nke, Artprinta.com
General information from Nationalmuseum Stockholm website (© Nwebiisinka - National museum Stockholm - National Museum nke Stockholm)
English: The floral still life emerged around 1600, reflecting the great interest of the period in botany. One of the pioneers was Bosschaert. His compositions, painted for royal cabinets of curiosities, represented idealised bouquets, bringing together plants from different seasons. Here, in a terracotta vase, we see illusionistically depicted blooms – both cultivated rarities and meadow flowers. The insects, like the flowers, symbolise the transitoriness of life. Individual plants recur in several paintings, showing that the artist worked partly from sketches or prints. Blomsterstillebenet utvecklades omkring 1600 och speglar tidens starka intresse för botanik. En av pionjärerna var Bosschaert. Hans kompositioner, målade för furstarnas kuriosakabinett, utgjorde idealbuketter där växter från olika årstider sammanförts. I en terrakottavas syns här illusionistiskt avbildade blommor – såväl odlade rariteter som ängsblommor. Liksom blommorna symboliserar insekterna livets förgänglighet. Att enskilda växter återkommer i flera målningar visar att konstnären delvis arbetade efter skisser eller gravyrer.