Auguste Renoir, 1881 - Ndụ ka nwere peaches na mkpụrụ vaịn - mbipụta nka mara mma

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The nkà nke oge a onye nwe ya kere ihe osise Auguste Nnukwu n’afọ 1881. Ihe gafere 130 afọ mbụ tụrụ nha: 21 1/4 x 25 5/8 na (54 x 65,1 cm) wee mepụta ya na Usoro oil on canvas. Furthermore, this piece of art forms part of the Ụlọ ihe ngosi nka nke Metropolitan digital collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, The Mr. and Mrs. Henry Ittleson Jr. Purchase Fund, 1956 (public domain license). The creditline of the artpiece is: Ego ịzụrụ Mr. na Oriakụ Henry Ittleson Jr., 1956. Further, the alignment is landscape with a side ratio of 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara.

Họrọ ihe ị ga-ekwu

In the dropdown menu next to the product you can pick the material and sizeaccording to your preferences. Therefore, we allow you to choose among the following options:

• Akwụkwọ mmado ebipụtara (ihe kwaaji): The poster is a printed canvas paper with a nice finish on the surface, which resembles the actual version of the artwork. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print motif to facilitate the framing with a custom frame.
• Kwaaji: The UV printed canvas applied on a wooden frame. A canvas generates the special effect of three dimensionality. Hanging your canvas print: The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang the Canvas print without additional wall-mounts. Canvas prints are suited for any kind of wall.
• Mbipụta nke aluminom: An Aluminium Dibond print is a material with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is the perfect introduction to art replicas produced with alu. For your Direct Print On Aluminum Dibond, we print the artwork onto the surface of the aluminum. The white and bright parts of the original work of art shimmer with a silky gloss but without glare. The colors are luminous in the highest definition, fine details appear crisp, and you can really perceive the matte appearance of the surface.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often named a plexiglass print, will convert your favorite artwork into wonderful décor and forms a good alternative option to dibond and canvas fine art replicas. The work of art is being printed with the help of state-of-the-art UV direct printing technology. This has the effect of vivid and stunning colors. Our plexiglass protects your chosen art print against light and external influences for several decades.

Nkwupụta iwu: We try everythig possible in order to describe our products as clearly as possible and to display them visually in our shop. Although, the colors of the printing material and the printing may vary somehwat from the representation on your device's monitor. Depending on the screen settings and the condition of the surface, colors may not be printed one hundret percent realistically. In view of the fact that the art reproductions are processed and printed manually, there might as well be slight discrepancies in the exact position and the size of the motif.

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Renoir spent part of the summer of 1881 at the country home of his patron Paul Berard in the small Normandy village of Wargemont. During his stay, Renoir painted two similar still lifes in contrasting color harmonies, showing the family’s faïence jardinière piled high with peaches. Berard purchased the present work for himself; the other version (61.101.12) was featured in the seventh Impressionist exhibition the following year.