Henri Fantin-Latour, 1863 - Ndụ ka nwere Roses na mkpụrụ - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi izizi gbasara ọrụ nka sitere na weebụsaịtị The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
In this early painting, which is interesting for its slightly eccentric, off-balance composition, Fantin had yet to achieve the extraordinary realism associated with his still lifes of the mid- to late 1860s. However, his eye for subtle color harmonies was already well-developed, as evident in the juxtaposition of the pinkish-white Malmaison roses, purple-tinged grapes, and golden pear.
Nchịkọta nke ngwaahịa ebipụta
This masterpiece "Still Life with Roses and Fruit" was created by the French artist Henri Fantin-Latour. The piece of art measures the size - 13 5/8 x 16 3/8 na (34,6 x 41,6 cm). Oil on canvas was applied by the French painter as the technique for the work of art. Today, this artwork is in the the art collection of Museumlọ ihe ngosi nka nke Obodo. a nkà nke oge a ọha ngalaba masterpiece na-nyere site n'ikike nke The Metropolitan Museum of Art, New York, Bequest of Alice A. Hay, 1987. Ihe kredit nke ọrụ nka bụ nke a: Bequest of Alice A. Hay, 1987. Kedu ihe ọzọ, nhazi ahụ bụ odida obodo na nwere akụkụ ruru nke 1.2: 1, which implies that the length is 20% longer than the width. The painter, graphic artist, botanical illustrator, lithographer Henri Fantin-Latour was a European artist from France, whose art style was primarily Realism. The French artist lived for 68 afọ - born in 1836 in Grenoble, Auvergne-Rhone-Alpes, France and died in 1904.
Họrọ ihe ị chọrọ
We offer a range of various materials and sizes for every product. Select your favorite size and material between the following preferences:
- Kwaaji: A printed canvas applied on a wood frame. Canvas prints are relatively low in weight, meaning that it is easy to hang up the Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.
- Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a print with an impressive depth effect - for a modern impression and a non-reflective surface structure.
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An acrylic glass print, which is often referenced as a an art print on plexiglass, will transform your favorite original work of art into brilliant décor. Beyond that, it forms a distinct alternative option to canvas and aluminidum dibond prints. With an acrylic glass art print sharp contrasts as well as smaller artwork details become more identifiable due to the fine gradation.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): A poster is a UV printed sheet of cotton canvas with a slight surface texture. The poster print is particularly designed for framing your art print using a special frame. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2 - 6cm round about the print motif in order to facilitate the framing with your custom frame.
Nchịkọta nkenke nke onye na-ese ihe
Ihe nkiri: | Henri Fantin-Latour |
Aha ndị ọzọ: | Fantin-Latour Ignace Henri, fantin latour henri, I. H. J. Th. Fantin-Latour, h.j.t.f. latour, fantin latour h.j.t., h.j.t. fantin latour, Henri-Théodore Fantin-Latour, Fantin, Fantin-Latour Ignace-Henri-Jean-Théodore, Fantin-Latour Henri-Théodore, latour fantin, Fantin-Latour Ignace Henri Jean Theodore, פנטין לאטור אנרי, Fantin Latour, Latour Henri Fantin-, Fantin-Latour Henri, Fantin-Latour Ignace-Henri Jean Theodore, latour henri fantin, Henri Fantin-Latour, J. Th. fantin-latour, fantin latour henri, H. Fantin Latour, Ignace Henri J. Th. Fantin-Latour, Fantin-Latour J.-H., H. Fantin-Latour, Fantin-Latour, Ignace Henri Jean Theodore Fantin-Latour |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe, onye na-ese ihe, onye na-ese ihe, onye na-ese ihe |
Obodo obibi: | France |
Nhazi nke onye nka: | omenkà nke oge a |
Ụdị nka: | Ihe ngosi |
Oge ndu: | 68 afọ |
Afọ ọmụmụ: | 1836 |
Ebe amụrụ onye: | Grenoble, Auvergne-Rhone-Alpes, France |
Afọ ọnwụ: | 1904 |
Nwụrụ na (ebe): | Basse-Normandie, France |
Nkọwa na artpiece
Aha nka: | "Still Life with Roses and Fruit" |
Nhazi nka: | sere |
Nhazi nka: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Afọ nka: | 1863 |
Afọ nka: | ihe karịrị 150 afọ |
Ihe osise izizi: | mmanụ na kwaaji |
Ogo nke ọrụ nka izizi: | 13 5/8 x 16 3/8 na (34,6 x 41,6 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
E Nwere na: | Museumlọ ihe ngosi nka nke Obodo |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Bequest of Alice A. Hay, 1987 |
Ebe E Si Nweta: | Bequest of Alice A. Hay, 1987 |
Ozi ihe ahaziri ahazi
Nkewa ngwaahịa: | nka nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | UV kpọmkwem obibi |
Mmalite ngwaahịa: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa emebere: | foto mgbidi, ihe ndozi mgbidi |
Ndozi onyonyo a: | usoro odida obodo |
Ụdị anya: | 1.2: 1 ogologo ruo obosara |
Ntụgharị nkọwa akụkụ akụkụ: | ogologo bụ 20% ogologo karịa obosara |
Akwa mmeputakwa dị: | Mbipụta kwaaji, mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 60x50cm - 24x20", 120x100cm - 47x39", 180x150cm - 71x59" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 60x50cm - 24x20", 120x100cm - 47x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ ebipụta aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
ụba: | adịghị |
Ederede iwu dị mkpa: We try everythig possible to depict the products with as many details as possible and to exhibit them visually on the respective product detail pages. Still, the pigments of the printing material and the print result may vary to a certain extent from the representation on the monitor. Depending on the settings of your screen and the quality of the surface, not all colors are printed as exactly as the digital version depicted here. Considering that all the art prints are printed and processed by hand, there may as well be minor discrepancies in the exact position and the size of the motif.
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