Jean-Baptiste Oudry, 1720 - Ndụ ka nwere égbè, oke na nnụnụ (ọkụ) - mbipụta nka mara mma.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi ndabere ngwaahịa nka
The 18th narị afọ ọrụ nka Still Life with a Rifle, Hare and Bird (Fire) kere site na nwoke French omenka Jean-Baptiste Oudry. Ihe osise ahụ nwere nha Ogologo: 144 cm (56,6 ″); Ogologo: 116 cm (45,6 ″) e were kwa ihe-ọcha tee ya mmanụ na kwaaji. The artwork forms part of the digital art collection of Nationalmuseum Stockholm. We are happy to mention that this artpiece, which is in the ngalaba ọha a na-enye ya site n'ikike nke Nationalmuseum Stockholm na Wikimedia Commons.: . Ọzọkwa, nhazi nke mmepụta dijitalụ dị n'ime Eserese format ma nwee oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Jean-Baptiste Oudry was a painter, designer, etcher from France, whose art style was primarily Baroque. The European artist lived for 69 years - born in the year 1686 na Paris, Ile-de-France, France wee nwụọ na 1755.
Nkọwa gbasara ọrụ nka
Aha nke ihe nka: | "Still Life with a Rifle, Hare and Bird (Fire)" |
Nhazi nke ihe nka: | sere |
Nhazi nka: | nka ochie |
Narị afọ nka: | 18th narị afọ |
Afọ okike: | 1720 |
Afọ nka: | karịa afọ 300 |
Usoro nka izizi: | mmanụ na kwaaji |
Akụkụ izizi nka: | Ogologo: 144 cm (56,6 ″); Ogologo: 116 cm (45,6 ″) |
Egosiputara na: | National Museum nke Stockholm |
Ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
URL webụ: | National Museum nke Stockholm |
Akwụkwọ ikike nka: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Onye na-ese ihe
aha: | Jean-Baptiste Oudry |
Aha nka ndị ọzọ: | Jean Baptiste Audry, Houdrie of Paris, jean b oudry, Oudry Jean Baptiste, jan baptiste oudry, Oudry J.B., J. Baptiste Oudry, Jean Baptiste Oudry, Oudry J. B. Siméon, Oudry père, Jean-Baptiste Oudry, Oudry J.-B., Audray, Oudry, J.B. Oudri, Oudri, Johann Bapt. Oudry, J. B. Oudry, Oudry Jean-Baptiste, J. B. Oudri, Audrey, M oudry, J.-B. Oudry, Jan Baptist Oudry, J. Bapt. Oudry, J.B. Houdry, Oudrey, B. Oudry, Houdry, Oudry J. B., אודרי ג'אן בטיסט, jean bapt. oudry, Audry, J.B. Audry, C. Audrü, J.B. Oudry |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ: | etcher, onye mmebe, onye na-ese ihe |
Mba onye si: | France |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Ndụ: | 69 afọ |
Afọ amụrụ: | 1686 |
Ebe amụrụ onye: | Paris, Ile-de-France, France |
Nwụrụ n'afọ: | 1755 |
Ebe ọnwụ: | Beauvais, Hauts-de-France, France |
Nye iwu ihe ị ga-achọ idobe n'ụlọ gị
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ ihe kacha amasị gị na nha n'ime nhọrọ ndị a:
- Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with an outstanding depth effect. The non-reflective surface structure make a contemporary look. The bright components of the original work of art shimmer with a silk gloss but without glow. Colors are luminous and vivid, details of the print are clear and crisp, and you can notice a matte appearance of the product.
- Mbipụta kanvas: The canvas print is a printed canvas mounted on a wood frame. Also, a canvas print creates a soft, appealing ambience. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Canvas prints are suited for all kinds of walls.
- Mpempe akwụkwọ (ihe kwaaji): A poster print is a UV printed flat canvas with a slight structure on the surface. A poster print is perfectly appropriate for framing the art print with the help of a personal frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of something between 2-6cm around the artwork, which facilitates the framing.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often denoted as a UV print on plexiglass, changes an original work of art into brilliant wall décor. The artwork is printed with the help of state-of-the-art UV printing technology. It creates impressive, rich print colors. The major advantage of an acrylic glass fine art copy is that sharp contrasts and smaller painting details will be more recognizeable because of the very subtle gradation.
Banyere akụkọ
Bipụta ngwaahịa: | mmepụta nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo |
Nlụpụta: | Germany |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | ihe ndozi ụlọ, gallery mgbidi |
Nhazi nka nka: | nhazi ihe osise |
Njikwa oyiyi: | 1: 1.2 |
Mmetụta akụkụ onyonyo: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ụdị ngwaahịa dị iche iche: | ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47", 150x180cm - 59x71" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhọrọ mbipụta aluminom: | 50x60cm - 20x24", 100x120cm - 39x47" |
Nhazi mbipụta nka: | adịghị |
Nkwupụta iwu: We try everything to describe the art products as accurate as it is possible and to demonstrate them visually. Please keep in mind that the pigments of the printed materials, as well as the print result may diverge to a certain extent from the presentation on the device's monitor. Depending on the settings of your screen and the nature of the surface, colors might not be printed as exactly as the digital version. Considering that the fine art prints are printed and processed by hand, there might as well be minor deviations in the motif's size and exact position.
© Nchekwa ikike nwebisiinka - Artprinta.com (Artprinta)