John A. Woodside, 1825 - N'agbanyeghị ndụ: piich na grapes - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi izizi gbasara ọrụ nka sitere na ụlọ ngosi nka (© Nwebiisinka - site na The Metropolitan Museum of Art - www.metmuseum.org)
Woodside probably received his training from Philadelphia sign painter Matthew Pratt or one of Pratt’s business partners. In 1805, Woodside opened his own studio in Philadelphia, advertising his services as an ornamental or sign painter. He aspired to less mundane genres, however, and tried his hand at emblematic and patriotic works, animal scenes, miniatures, and copies after English engravings. This work and its companion, "Still Life: Peaches, Apple, and Pear" (41.152.2), are among Woodside’s few known still lifes and represent his best efforts as a painter. His arrangement of peaches and grapes in a spare setting bears the stylistic imprint of the Peale family, who established a still-life tradition in Philadelphia in the early nineteenth century.
Ihe osise nke oge a bụ nke kere nwoke artist John A. Woodside in 1825. Ụdị izizi ahụ tụrụ nha: 9 3/4 x 12 1/4 in (24,8 x 31,1 cm). Mmanụ na osisi was applied by the American artist as the medium of the piece of art. Furthermore, this artpiece belongs to the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta nka dijitalụ dị na New York City, New York, Njikota Obodo Amerika. The artwork, which is in the public domain is provided with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1941. Additionally, the artpiece has the creditline: Rogers Fund, 1941. In addition to that, the alignment is odida obodo na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara.
Nweta nhọrọ ihe ebipụta nka kacha amasị gị
In the dropdown lists right next to the product offering you can select the material and sizeaccording to your individual preferences. We allow yout to choose among the following variants:
- Mbipụta kwaaji: The printed canvas applied on a wooden stretcher frame. Canvas prints are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the support of any wall-mounts. Canvas prints are suitable for all kinds of walls.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed canvas paper with a nice surface texture. Please keep in mind, that depending on the size of the poster we add a white margin between 2 - 6cm around the work of art to facilitate the framing.
- Aluminom ihe eji eme ihe: This is a metal print manufactured on aluminium dibond material with a true depth. For the Print On Aluminum Dibond, we print the selected artpiece on the aluminium composite surface. The bright parts of the artpiece shimmer with a silky gloss, however without glare. The colors of the print are bright and vivid in the highest definition, the fine details of the print are crisp, and you can really notice a matte appearance of the surface.
- Mbipụta enyo acrylic: The acrylic glass print, which is often named as a fine art print on plexiglass, transforms the original work of art into great home décor. Your favorite artwork is printed with state-of-the-art UV direct print machines.
Ozi izugbe gbasara onye na-ese ihe
aha: | John A. Woodside |
Aliases: | John A. Woodside, John Archibald Woodside |
okike onye nka: | nwoke |
Obodo onye nka: | American |
Ọrụ onye na-ese ihe: | artist, history artist, painter |
Country: | United States |
Otu nka: | omenkà nke oge a |
Nwụrụ anwụ: | 71 afọ |
Afọ ọmụmụ: | 1781 |
Ebe amụrụ onye: | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Afọ nwụrụ: | 1852 |
Obodo ọnwụ: | Philadelphia, Philadelphia County, Pennsylvania, Njikota Obodo Amerika |
Tebụl a haziri ahazi nke ọrụ nka
Aha eserese ahụ: | "Still Life: Peaches and Grapes" |
Nhazi: | sere |
Otu izugbe: | nkà nke oge a |
oge: | 19th narị afọ |
Emepụtara na: | 1825 |
Ogologo afọ nka nka: | ihe dị ka afọ 190 |
Ọkara nke ihe osise izizi: | mmanụ n'elu osisi |
Ogo nke ọrụ nka izizi: | 9 3/4 x 12 1/4 na (24,8 x 31,1 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | www.metmuseum.org |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Rogers Fund, 1941 |
kreditline ọrụ nka: | Rogers Fund, 1941 |
Ozi ederede ahaziri
Nkewa bipụta: | ọrụ mgbidi |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | UV kpọmkwem obibi |
Nlụpụta: | emepụtara na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | ihe ndozi mgbidi, ihe ndozi ụlọ |
Ndepụta: | nhazi odida obodo |
Ụdị anya: | ogologo ruo obosara 4: 3 |
Ihe: | ogologo bụ 33% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Nha n'arọwa n'elu ihe ndọtị (mbipụta akwa akwa): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Mpempe akwụkwọ Dibony (ihe alumnium) nha: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Igwe onyonyo: | agunyeghi |
Nkwupụta iwu: We try everythig possible in order to depict our art products in as much detail as we can and to exhibit them visually. At the same time, some colors of the printing material, as well as the imprint might vary somehwat from the representation on the monitor. Depending on your screen settings and the nature of the surface, colors might not be printed one hundret percent realistically. Considering that the art reproductions are processed and printed by hand, there might as well be slight deviations in the exact position and the size of the motif.
© Nwebiisinka nke | Artprinta.com (Artprinta)